Hark! A Thrilling Voice Is Sounding: Choral Instrumental Pak
Arranged by Keith Christopher
Item: 35-PK00291034
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About the Arranger: Keith Christopher

Keith Christopher brings three decades of publishing success to his work as a composer, arranger, and lyricist. Since 1992, he has received annual recognition from the American Society of Composers, Authors, and Publishers, and his accolades include a Gold Record Award for "A Merry Christmas with Brass" with The Dallas Brass and a Dove Award for the choral collection "More Songs for Praise and Worship."
Based in the Nashville area with his wife Tammy, Christopher has built an extensive catalog of works for choir, band, and orchestra across multiple publishers. His music reaches performers worldwide, backed by over one thousand recordings he has produced for various publishing houses. Beyond composition, he is also an author; his children's book "The First Christmas Night" reflects his deep engagement with sacred and seasonal themes.
Why we love this
The marriage of early Latin hymnody with Classical elegance gives this piece genuine liturgical weight without sacrificing accessibility. Christopher's gift for orchestration shines through the optional flute obbligato and chamber scoring, each layer adding dimension while the core arrangement remains singable for volunteer choirs.
What to expect
A sense of luminous expectation; the Mozartian melody carries buoyancy and hope while the Latin text grounds the piece in centuries of faith. The optional flute obbligato floats above like light, and the harmonic language feels both familiar and refined.
Who it's for
This works beautifully for volunteer and semi-professional church choirs during Advent or Christmas seasons, as well as college and high school choral programs seeking sophisticated sacred repertoire. The optional chamber orchestration makes it equally compelling for smaller ensembles or full choir plus orchestra.
How to get the most out of it
- Balance the flute obbligato so it complements rather than competes with the choral line; it should sound like an ornament to the melody, not a counter-melody demanding equal attention.
- The Mozartian tune has natural phrasing that invites legit vocal tone; resist the urge to cut phrases short or add excessive articulation that would fight the period style.
- If using the chamber orchestration, rehearse the instrumental parts separately first so singers can lock in the harmonic framework before adding the full texture.
- The Scripture connections (Isaiah, Mark, John) create preaching points; consider how your anthem placement within the service illuminates the readings being used.
How to use it
Open an Advent service with this anthem before readings from Isaiah or the Gospels, letting the musical setting prepare listeners for Scripture. The optional instrumentation also makes it a standout choice for seasonal concerts where you want to program one strong anthem that showcases both your choir and your ensemble players.
Skills your students will build
- Singing legit melodic lines derived from eighteenth-century hymn tune traditions
- Responding to optional obbligato parts without losing ensemble cohesion
- Interpreting textual meaning from early Latin sacred language in English translation
- Adjusting blend and balance when adding instrumental accompaniment beyond the piano