Hard Sock Dance Cover Image

Hard Sock Dance: Jazz Ensemble Conductor Score & Parts

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Hard Sock Dance: Jazz Ensemble Conductor Score & Parts

By Quincy Jones and Ernest Bailey / arr. Quincy Jones and Sammy Nestico

Grade: 4.5 (Medium Advanced / Difficult)

Item: 00-JEM02007

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Description
From the Quincy Jones and Sammy Nestico CD titled Basie & Beyond. Composed by Grammy winning composer/producer, Quincy Jones, here is a swinger for either piano, guitar or vibes soloist. This is a medium blues with a captivating groove featuring a glorious ensemble shout chorus that roars! Hard Sock Dance is ideal for festival or concert and belongs in the library of every experienced band. Arranged in collaboration by Quincy and Sammy together, this is a definite winner. (1:11)

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Additional Details
Series: Quincy Jones & Sammy Nestico Premier Jazz
Publisher: Alfred Music
Page Count: 100
UPC: 654979024439
SKU: 00-JEM02007

More about this title

About the Composer: Ernest Bailey

Ernest Bailey composed this blues standard alongside Quincy Jones, who brought his legendary production sensibility and harmonic sophistication to the work. The piece exemplifies the kind of accessible yet musically substantial writing that defined the Basie & Beyond project, where traditional jazz vocabulary meets contemporary arranging craft.

Why we love this

Quincy Jones and Sammy Nestico collaborated on an arrangement that balances sophistication with pure playability. The ensemble shout chorus has real teeth without requiring virtuosic soloists, making it genuinely rewarding for experienced groups to program at festivals or concerts.

What to expect

Hard Sock Dance swings with infectious confidence. The medium blues setting invites relaxed phrasing, while the glorious ensemble shout chorus erupts with collective energy and brass punch that feels celebratory without losing its cool.

Who it's for

Jazz ensembles at the Grade 4.5 level and above will find this piece both challenging and performable. The arrangement rewards groups with solid section discipline and at least one capable improviser, making it ideal for experienced high school and college ensembles.

How to get the most out of it

  • Lock the groove early in rehearsal. The medium blues swing underpins everything; once your rhythm section settles into the pocket, the soloists and ensemble will sit naturally on top of it.
  • Feature your strongest piano, guitar, or vibes player on the solo section. This is a true feature, not a background solo, so the soloist's tone and phrasing drive the arrangement.
  • Shape the ensemble shout with dynamic contrast. Let it build from the first chorus and peak on the final statements; resist the temptation to lay it all out immediately.

How to use it

This belongs on a jazz festival set list or concert program where you want to showcase your ensemble's maturity and groove sensibility. Pair it with another Quincy Jones or Sammy Nestico arrangement to build a thematic set, or use it as a crowd-pleasing closer that demonstrates real jazz vocabulary.

Skills your students will build

  • Medium blues swing feel and comping in the rhythm section
  • Solo phrasing over blues changes with harmonic awareness
  • Ensemble articulation and balance in shout choruses
  • Reading jazz notation conventions and lead sheet symbols
  • Group listening and dynamic control across full ensemble

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