Happy (from Despicable Me 2) (arr. Adam Scott): TTBB Choral Octavo

This arrangement captures the infectious optimism of the original while giving your men's choir genuine musicality to sink their teeth into. Adam Scott's voicing sits comfortably across TTBB configurations, and the material is immediately recognizable enough that audiences lean in from the first phrase. It's the kind of contemporary choice that shows your program understands what resonates with singers and listeners alike.

Sunlit and propulsive. The arrangement captures the original's almost infectious good humor while letting the vocal blend do real harmonic work. It's music that makes singers smile while they're singing it.

Men's choirs seeking repertoire that connects with contemporary audiences without sacrificing musicianship. This works equally well for high school octets, college groups, and community ensembles looking to program something current yet enduring.

• Keep the articulation light and bouncy rather than heavy; the song lives in its rhythmic lift, and overly deliberate consonants will bog down the forward momentum.
• Shape the dynamics to mirror the original's build and release rather than holding a single dynamic level throughout. This is what makes the arrangement feel alive.
• Balance the harmony so upper voices don't dominate. Men's voices often naturally gravitate toward strength in the tenor line, so encourage the baritones and basses to own their moments.

Position this in a concert's second half where you want to shift energy and tone. It pairs well with other contemporary vocal music, and audiences respond strongly to its familiarity. The 13-page score makes it accessible for quick preparation without requiring months of rehearsal.

• Maintaining rhythmic precision across staggered entrances
• Blending four-part harmony in a contemporary context
• Shaping phrase contours with dynamic awareness
• Balancing upper and lower voices within the tenor-bass spectrum