Happy Face Medley: 2-Part Choral Octavo

Mark Hayes's arrangement captures the infectious optimism of both songs while keeping the voicing accessible for developing singers. The medley format lets you program two beloved Broadway moments in a single, cohesive package, making it ideal when you want feel-good material without overextending rehearsal time. Pairing it with choreography transforms a choral piece into genuine theater, and your ensemble will genuinely enjoy performing something this joyful.

Pure warmth and infectious optimism. Both songs celebrate simple human kindness and the power of a smile, and Hayes's setting keeps that spirit front and center with straightforward, singable voicing and bright harmonic support. Your singers will feel the joy in the music, and so will everyone listening.

This medley works for middle school and high school choirs seeking high-impact, audience-friendly material that doesn't demand advanced vocal technique. It's equally at home in a spring concert, a cabaret-style program, or a musical theater showcase where Broadway standards belong.

• Lean into the rhythmic bounce of both melodies; crisp articulation on the shorter note values will enhance the infectious energy.
• If you're using the recorded accompaniment, have singers mark the exact moments where SoundTrax or SoundPax enters and exits so entrances stay confident and clean.
• Work the lyrics with intentional brightness and clarity; these songs live or die by how directly the text lands with your audience.
• Plan choreography early in rehearsal so blocking becomes natural by performance; even simple hand movements amplify the emotional directness of the material.

Open a spring concert with this to set a celebratory tone, or use it as a finale when you want the audience to leave smiling. It pairs well in a musical theater or Great American Songbook themed program, and the optional choreography makes it a natural bridge between pure choral singing and performance theater.

• Legibility and crisp articulation in uptempo material
• Blending and balancing within 2-part texture
• Stylistic interpretation of Broadway idiom and phrasing
• Integration of choreography with vocal performance
• Confidence performing with recorded accompaniment