Hanukkah Scherzo Sheet Music Preview

Hanukkah Scherzo: SATB Choral Octavo

By Dean Rishel

Item: 35-DS00380430

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00380430

More about this title

Why we love this

Rishel brings orchestral sophistication to a holiday text that rarely receives this kind of serious compositional attention. The scherzo form gives the piece forward momentum and wit, making it feel contemporary rather than nostalgic. Your singers will have genuine fun with the rhythmic interplay while audiences recognize the musical craftsmanship immediately.

What to expect

Lighter than typical choral holiday fare, with the quick-witted character of a ballroom dance filtered through a Jewish musical lens. The piece moves with purpose and intelligence, never condescending to its subject matter, while maintaining the celebratory spirit of the season.

Who it's for

High school and college choirs with solid musicianship and rhythmic confidence. This piece rewards groups comfortable with moderate ranges, part independence, and the energy required to perform a scherzo at concert tempo.

How to get the most out of it

  • Keep the rhythmic drive consistent from phrase to phrase. This piece relies on momentum to land its humor, so resist the temptation to pull back at phrase endings.
  • Balance the inner voices carefully in the harmonic passages. The soprano and alto lines can easily dominate, but Dean's writing asks the tenor and bass to carry essential harmonic color.
  • Clarify diction in the faster sections. The scherzo character depends on text intelligibility, especially when multiple syllables land on rapid note values.

How to use it

Program this in the second half of a winter concert to provide energy and tonal contrast after slower pieces. It pairs well with other seasonal or secular holiday repertoire and works equally as well in a concert devoted entirely to Hanukkah music as it does in a mixed winter program.

Skills your students will build

  • Maintaining rhythmic independence within ensemble textures
  • Sustaining phrase momentum across multiple measures of rests
  • Balancing transparent four-part voicing while preserving harmonic color
  • Executing the scherzo character with precision and style

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