Hanukkah Holiday (Eight Nights of Hanukkah) Cover Image

Hanukkah Holiday (Eight Nights of Hanukkah): 2-Part Choral Octavo

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Hanukkah Holiday (Eight Nights of Hanukkah) Cover Image

Hanukkah Holiday (Eight Nights of Hanukkah): 2-Part Choral Octavo

Music by Lois Brownsey and Marti Lunn Lantz

Level: Moderately Easy

Item: 00-SVM05027

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Description
A fresh addition to your Hanukkah programming choices. It musically presents the things that make up a traditional Hanukkah celebration. Lois and Marti at their best!

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Additional Details
Publisher: Alfred Music
UPC: 654979088646
SKU: 00-SVM05027

More about this title

About the Composer: Lois Brownsey

Lois Brownsey

Lois Brownsey studied at Temple University in her native Philadelphia, where she immersed herself in musical theatre and classical guitar training. Her decades-long creative partnership with Marti Lunn Lantz has produced numerous choral works and song collections published by Alfred, including "Winter's Frost," "Japanese Snow Song," and "Celebrations around the World." The pair have become known for their skill in blending multicultural repertoire with accessible seasonal compositions.

Beyond choral writing, Brownsey has contributed jingles for major corporate clients and spent over two decades performing in pop, rock, and blues ensembles across the United States and internationally. She has collaborated with other composers, notably Sally K. Albrecht on Hanukkah-themed pieces. Now based in the Pocono Mountains of Pennsylvania, Brownsey continues her creative work and serves as co-owner of Red Rock recording Studios with her husband, recording engineer Kent Heckman, where many of her choral projects are produced.

Why we love this

Brownsey and Lantz capture the warmth and specificity of Hanukkah traditions without relying on overused melodies or generic holiday gestures. The 2-part voicing keeps arrangements accessible for younger choirs while the musical details (centering on eight nights of celebration rather than abstract seasonal themes) give singers something genuine to sing about and audiences something fresh to hear.

What to expect

The piece radiates genuine warmth and celebration, rooted in specific traditions rather than abstract winter sentiments. Melodies flow naturally within a 2-part texture that feels supportive rather than restrictive, creating an inviting soundworld that singers and audiences alike can enter easily.

Who it's for

This octavo suits middle school and early high school choirs, youth choirs, and community ensembles looking for accessible 2-part literature with cultural substance. It serves directors programming a winter concert who want something beyond generic seasonal fare and need music that the developing singer can execute confidently.

How to get the most out of it

  • Balance the vocal lines so both parts have clarity; resist letting one voice part dominate, especially if one section is smaller numerically.
  • Shape phrases to highlight the narrative arc of the eight nights rather than treating the piece as a series of detached verses.
  • Work through the recorded accompaniment early to lock in rhythm section feel, then practice a cappella periodically to strengthen ensemble independence.
  • Emphasize clear diction in any Hebrew or Yiddish text to honor the cultural content and help the audience follow the Hanukkah references.

How to use it

Place this in a winter concert alongside other cultural holiday repertoire to build a thoughtful program that reflects your community's diversity. It works especially well if you're programming multiple traditions in sequence, or as a bridge piece between secular and sacred winter selections. The moderately easy level makes it ideal for including newer singers in a concert without oversimplifying your overall program.

Skills your students will build

  • Reading and performing 2-part harmony with independent vocal lines
  • Sustaining clean vowel sounds across phrase lengths
  • Responding to text-driven interpretation (connecting musical choices to Hanukkah traditions)
  • Blending while maintaining individual part clarity
  • Working with recorded accompaniments in rehearsal

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