Hanon: The Virtuoso Pianist, Part I - Preparatory Exercises Cover Image

Hanon: The Virtuoso Pianist, Part I - Preparatory Exercises: Preparatory Piano Book

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Hanon: The Virtuoso Pianist, Part I - Preparatory Exercises Cover Image

Hanon: The Virtuoso Pianist, Part I - Preparatory Exercises: Preparatory Piano Book

By Charles-Louis Hanon / ed. Robert Heath

Item: 98-H1004

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Description
The Virtuoso Pianist first appeared in 1873, won a silver medal at the Exposition Universelle in 1878 and since the time of Hanon's death in 1900, it has become one of the standards of piano technique. For this edition, each of the exercises has been engraved on two pages, showing fingering on every note of the first system. Includes six variations adaptable to any of the exercises and little known biographical information.

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Additional Details
Series: FJH Classic Editions
Publisher: The FJH Music Company, Inc.
ISBN10: 0-929666-95-X
ISBN13: 978-0-929666-95-2
UPC: 674398202799
SKU: 98-H1004

More about this title

About the Composer: Charles-Louis Hanon

Charles-Louis Hanon (1819-1900) was a French pianist and pedagogue whose work fundamentally shaped how generations of pianists develop technique. Though details of his early life remain sparse, his legacy rests entirely on one enduring contribution: The Virtuoso Pianist, a systematic collection of exercises designed to build finger independence, evenness, and velocity across the keyboard.

Hanon's approach reflected 19th-century pedagogical thinking about mechanical mastery as the foundation for musical expression. His exercises were disciplined, repetitive, and relentlessly focused on problems pianists actually face. The work's 1878 silver medal at the Exposition Universelle validated what generations of teachers already knew: Hanon had created something genuinely useful. More than a century after his death, these preparatory studies remain central to conservatory training and private studio work worldwide.

Why we love this

Hanon's Part I establishes the foundation every piano student needs, and this FJH edition removes guesswork by printing fingering on every note of the first system. Having two pages per exercise gives students room to work without page turns interrupting their focus. The inclusion of six variations means teachers can adapt exercises to address specific technical challenges without hunting through supplementary materials.

What to expect

These are disciplined, methodical exercises built on repetition and incremental challenge. They don't aim for beauty or expression; they aim for control. The satisfaction comes not from any single exercise but from the cumulative progress of fingers becoming stronger, more independent, and more obedient to intention.

Who it's for

Piano students working through their first systematic technique curriculum, typically around early elementary to early intermediate levels. Teachers who want a reliable, time-tested resource for building finger independence and evenness without having to supplement with multiple books. Studio teachers and conservatory instructors who recognize that strong foundational mechanics prevent technique problems later.

How to get the most out of it

  • Start slowly enough that you can play each exercise with complete relaxation in the hand and wrist. Speed comes only after the movement pattern becomes automatic.
  • Practice hands separately until the finger work feels effortless, then combine. Many students rush to both hands and reinforce tension they don't yet realize they're carrying.
  • Track which exercises expose your technical weak points and cycle those more frequently than the ones that already feel comfortable.
  • Apply the six variations strategically to exercises where your evenness or finger independence lags. Don't treat them as optional additions; use them as targeted technique builders.

How to use it

Hanon works best as daily studio practice material rather than concert repertoire, but many teachers assign it alongside repertoire that students are learning for recital. The exercises build the technical facility needed to play more complex pieces successfully. Assign specific exercises in sequence, cycling back to earlier ones periodically to ensure foundational patterns remain solid as new material increases in difficulty.

Skills your students will build

  • Finger independence and articulation within a five-finger position
  • Even tone production across all fingers
  • Building finger velocity and stamina
  • Hand position and posture awareness
  • Sight-reading simple, systematic finger patterns
  • Transposing a single exercise to multiple keys

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