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Hanon-Schaum, Book One: Piano Book

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Hanon-Schaum, Book One Cover Image

Hanon-Schaum, Book One: Piano Book

By Charles-Louis Hanon / arr. John W. Schaum

Item: 00-EL00208A

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Description
The Virtuoso Pianist first appeared in 1873 and has become one of the standards of piano technique throughout the world. For this edition, Mr. Schaum has used eighth notes instead of sixteenth notes and has indicated hands played two octaves apart for ease in reading. With the modifications indicated by Mr. Schaum, this valuable set of exercises is suitable for elementary students. Mr. Schaum also provides valuable performance suggestions and an informative preface by Charles Hanon.

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Additional Details
Series: Schaum Master Composer Series
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7579-9282-X
ISBN13: 978-0-7579-9282-7
UPC: 654979033417
SKU: 00-EL00208A

More about this title

About the Composer: Charles-Louis Hanon

Charles-Louis Hanon (1819-1900) was a French pianist and pedagogue whose approach to technique training fundamentally shaped how pianists developed finger independence and evenness. His *The Virtuoso Pianist*, published in 1873, stripped away the musical narrative that defined earlier etude collections and instead offered distilled, systematic exercises designed to build strength and control across all five fingers.

Hanon's work became a cornerstone of piano instruction because it solved a specific problem: students needed accessible, reproducible patterns that isolated technical challenges without requiring advanced musicianship to navigate. His exercises remain widely taught more than 150 years later, adapted and interpreted by countless pedagogues, because the underlying principle—that repetition of clear patterns builds mastery—still holds.

Why we love this

John W. Schaum's modifications make Hanon's foundational exercises truly playable for students who are still building technical security. By replacing sixteenth notes with eighth notes and spacing the hands two octaves apart, Schaum preserves the pedagogical intent while removing barriers that would otherwise frustrate beginners. This is not watered-down material; it's the same proven technical foundation, scaled appropriately to where your students actually are.

What to expect

Methodical and quietly purposeful. Each exercise repeats a small technical task long enough for fingers to internalize the motion without overthinking it. There's no narrative or expressive demand; the focus is entirely on building reliable physical habits.

Who it's for

Elementary-level piano students who need systematic, focused work on finger independence and technical foundation. Teachers seeking a proven, structured supplement to their primary method that doesn't distract students with musical complexity while technique is still developing.

How to get the most out of it

  • Establish a steady tempo using a metronome before increasing speed. Evenness matters more than velocity; rushing through these exercises defeats their purpose.
  • Focus on each hand independently first. Once fingers respond consistently on their own, gradually bring hands together while maintaining the same control.
  • Pay close attention to Schaum's performance suggestions throughout the book. They address specific technical priorities for each exercise and guide productive practice.
  • Maintain relaxed shoulders and wrists. These exercises build finger strength precisely so the larger joints can stay loose and responsive.

How to use it

Assign these as daily technical work alongside pieces from your method book, rather than as concert repertoire. A few minutes spent on Hanon exercises builds the finger facility that makes students' actual repertoire sound more polished and confident. Use it as a diagnostic tool too; which exercises feel clumsy? That tells you where focused practice will pay dividends.

Skills your students will build

  • Finger independence and evenness across all five fingers
  • Hand position stability and proper finger curvature
  • Control over legato and staccato touch in technical passages
  • Even scale and arpeggio technique
  • Rhythmic precision and metronome discipline
  • Building finger strength without tension

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