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Hang On to the Big Balloon: Book

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Hang On to the Big Balloon Cover Image

Hang On to the Big Balloon: Book

Simple to Challenging Orff Instrumentals

By Konnie Saliba

Level: Elementary

Item: 00-BMR08014

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Description
Orff instruments have enormous appeal for students of all ages. This creative six-chapter book includes pieces simple enough for first graders and challenging enough for middle school students to enjoy. In this collection consisting primarily of Orff instrumentals, Konnie Saliba takes students from very simple songs in which they play only a few notes to challenging selections that require some reading skills. Grades K-8.

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Additional Details
Publisher: Alfred Music
Page Count: 68
ISBN10: 0-7692-9986-5
ISBN13: 978-0-7692-9986-0
UPC: 654979188117
SKU: 00-BMR08014

More about this title

About the Composer: Konnie Saliba

Konnie Saliba

Konnie Saliba brought Orff Schulwerk into American classrooms through decades of teaching at the elementary and secondary levels in both public and private schools. Her work at the University of Memphis, where she directed the Master of Music program with an Orff concentration, shaped a generation of music educators committed to kinesthetic, ensemble-based learning.

Recognized nationally as an Orff consultant, Saliba has led workshops and courses across the United States, Canada, and internationally in Germany, Austria, Finland, China, and the Dominican Republic. She served as president of the American Orff Schulwerk Association and received the organization's Distinguished Service Award in 1997. Her published materials, including contributions to major elementary music curricula, continue to guide teachers in building confident, creative ensembles.

Why we love this

Saliba understands the unique arc of elementary music instruction: this book meets each student exactly where they are developmentally. Six chapters allow you to scaffold from simple melodic patterns for first graders through the kind of layered, rhythmically sophisticated pieces that hold middle schoolers' attention and pride, all within one cohesive collection designed specifically for Orff instruments.

What to expect

These pieces carry the spirit of playful discovery that Orff Schulwerk celebrates. Whether students are exploring a handful of notes on barred instruments or managing fuller textures with rhythmic clarity, the music invites movement, listening, and joy rather than perfection.

Who it's for

This book serves teachers working with mixed-age or multi-level Orff ensembles, from primary grades through middle school. It's equally valuable for general music classes, after-school programs, and for individual teachers who want a single resource that grows with students across several grade levels without requiring multiple supplementary collections.

How to get the most out of it

  • Start with the opening pieces to establish ensemble confidence with basic mallet technique and hand position before advancing to selections requiring more sophisticated coordination.
  • Layer voices gradually, beginning with the simplest ostinato or bass line, then adding melody and counter-melody so students hear how parts interlock.
  • Create visible score charts or use color-coding for different instrumental families (barred instruments, unpitched percussion) so students locate their entrances independently.
  • Build in rehearsal time for students to echo-play sections back to you before playing through complete pieces; this develops listening and internalization without over-relying on notation.

How to use it

Use this as your core Orff curriculum resource across multiple grade levels, selecting pieces from earlier chapters for younger students and later ones for enrichment or performance with older groups. The collection's internal progression also works well for a school assembly or spring concert showcasing student growth from September through May, performed in chapter sequence.

Skills your students will build

  • Basic mallet control and hand position on barred instruments
  • Reading melodic notation on treble staff
  • Playing ostinato and rhythmic accompaniment patterns
  • Listening for and maintaining individual parts within ensemble texture
  • Coordinating simple two-hand and alternating-hand techniques
  • Understanding form and section repetition through performance
  • Responding to conductor cues and ensemble entrances

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