Halloween Favorites, Book 1 Cover Image

Halloween Favorites, Book 1: Piano Book

$7.99 USD
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Halloween Favorites, Book 1 Cover Image

Halloween Favorites, Book 1: Piano Book

9 Original Piano Solos by Alfred and Myklas Composers

Various

Level: Early Elementary / Elementary

Item: 00-39413

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Description
Throughout the years, Alfred Music and Myklas Music Press have published solos for the Halloween season that have become favorites of both students and teachers. The pieces included in this series represent the most popular and effective solos drawn from the catalogues of both companies. Divided into four graded collections, outstanding works are included by Sharon Aaronson, Dennis Alexander, Christine H. Barden, Melody Bober, Anne Shannon Demarest, W. T. Skye Garcia, Mary Hauber, Bernadine Johnson, David Karp, Martha Mier, June Montgomery, Joyce Schatz Pease, Ruth Perdew, John Robert Poe, Catherine Rollin, Mary K. Sallee, George Peter Tingley, Robert D. Vandall, and Kim Williams. Book 1 includes pieces appropriate for early elementary to elementary students. Reading range is limited and coordination between the hands is simple. Some of the pieces include optional duet accompaniment. Titles: Witch on a Super-Speed Broom * Black Cats Waltzing * Dear Mister Pumpkin * Trick or Treat Suite * One Scary Night * The Ghost Who Couldn't Say "Boo!" * Creepy Creaky Sounds * Midnight Shadows * What Should I Be for Halloween?

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9102-6
ISBN13: 978-0-7390-9102-9
UPC: 038081442181
SKU: 00-39413

More about this title

About the Creator

This collection draws from decades of Halloween repertoire curated by Alfred Music and Myklas Music Press, two publishers with deep roots in music education. The composers featured here, including Sharon Aaronson, Dennis Alexander, Catherine Rollin, and Robert D. Vandall, have built their careers writing accessible, engaging music for young pianists. Their work balances technical clarity with genuine musical character, proving that early elementary pieces don't need to sacrifice creativity for simplicity.

Why we love this

This collection gathers the most effective Halloween solos from Alfred and Myklas catalogs into one curated resource, saving you hours of sifting through individual titles. The variety of composers and musical styles ensures every early elementary student finds something that excites them, from whimsical to mildly spooky. Several pieces offer optional duet accompaniment, giving you flexible performance options for studio recitals or classroom showcases.

What to expect

Playful, mildly spooky, and imaginative. These solos capture the fun of Halloween rather than anything frightening, with musical imagery ranging from dancing black cats and trick-or-treating to creaky haunted sounds and pumpkins. The writing keeps things light and engaging for young hands.

Who it's for

Early elementary and elementary students building hand coordination and reading confidence. Teachers seeking season-appropriate solo material for autumn recitals, contests, or classroom performances without having to hunt through multiple catalogs.

How to get the most out of it

  • Balance storytelling with technical accuracy. Pieces like "The Ghost Who Couldn't Say 'Boo!'" rely on character interpretation, so encourage students to imagine the scene as they play rather than focus solely on hitting notes.
  • When teaching pieces with optional duet parts, let your student hear the accompaniment first so they understand how their melody sits within the fuller texture.
  • Experiment with tempo and dynamic contrast to highlight the Halloween mood. These pieces thrive on expression, even at the early elementary level.

How to use it

Perfect for fall studio or school recitals where variety keeps the audience engaged. You might program several pieces across multiple students to create a mini Halloween theme within a larger concert, or feature one standout solo as a fun seasonal novelty that students remember long after the recital ends.

Skills your students will build

  • Reading simple melodic lines with limited range
  • Hand independence and basic hand coordination
  • Dynamic control and expressive playing at an accessible level
  • Following a consistent pulse in varied tempos
  • Interpreting musical character and mood

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