Hallelujah! He Is Risen Sheet Music Preview

Hallelujah! He Is Risen: SATB Choral Octavo

As performed by Philip P. Bliss / Arranged by Brian Buda / Arranged by Stephanielynn Buda

Item: 35-DS00404022

Digital Download
$2.99
Description

Hallelujah! He Is Risen: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00404022

More about this title

About the Artist: Philip P. Bliss

Philip P. Bliss (1838-1876) was a prolific hymn writer and composer whose work shaped American church music during the nineteenth century. His melodies combined accessibility with emotional depth, making them ideal for congregational singing while remaining musically substantial enough to engage serious musicians.

Why we love this

Brian and Stephanielynn Buda have arranged this classic resurrection text with the kind of harmonic sophistication that respects the original while giving your singers something genuinely interesting to work with. The pop-inflected arrangement brings energy without sacrificing the reverent joy the text deserves.

What to expect

Bright and celebratory, with the kind of buoyant harmony that makes singers want to lift their voices. There's genuine exuberance in this arrangement without veering into saccharine territory; it captures triumph with musical substance.

Who it's for

This arrangement works beautifully for church choirs of intermediate ability, community choirs with some vocal training, and school choirs seeking meaningful Easter repertoire. Directors need singers who can manage SATB independence but will find the parts approachable for groups still building ensemble skills.

How to get the most out of it

  • Balance the inner voices carefully in the harmony parts so the melody line reads clearly without drowning out the supporting voices.
  • Let the text shape your phrasing rather than treating each measure as a unit; "Hallelujah" gains power when sung as a complete thought.
  • The accompaniment groove benefits from a steady pulse, so establish a solid tempo in rehearsal and maintain it through transitions.

How to use it

Reserve this for spring concert programming where you want a show-closing number that the congregation recognizes and your singers can deliver with confidence. It pairs naturally with other resurrection texts and provides a rousing finale to Easter services or spring worship events.

Skills your students will build

  • Singing with stylistic awareness in a pop-influenced choral arrangement
  • Balancing SATB parts when the melody shifts between sections
  • Interpreting text for emotional depth within a celebratory context
  • Maintaining rhythmic precision in a groove-based accompaniment

You May Also Like