Hack's Back!: Trombone 2

A fast samba in full swing, with the kind of propulsive energy that gets students' hearts pumping. The head is bright and melodic, the drum solo cuts loose over steady ensemble chords, and the closing section builds to a climax that leaves no room for subtlety. This feels like a band having genuine fun.

Jazz ensembles at the intermediate-advanced level who can handle Latin feels and want a straightforward, energetic chart that doesn't require soloists to navigate complex harmonic territory. This works equally well for concert settings and festival play.

• Keep the samba groove steady and relaxed during the head; this style lives in the pocket, not on top of the beat. Once the ensemble settles, the rhythm section can breathe.
• The drum solo needs space and confidence. Encourage your drummer to listen to authentic samba recordings beforehand so the solo lands with authentic phrasing rather than generic fills.
• Balance the flute, trumpet, and guitar leads so each voice cuts through without overwhelming the ensemble texture. These three deserve clarity.
• The optional 8va passages are there if your upper register players need relief or if the chart feels high for your particular ensemble. Use them strategically, not apologetically.

Program this as a second-half concert opener or a festival crowd-pleaser. It sits well next to straight-ahead jazz standards and gives your band a chance to show off their Latin chops without requiring a multi-week deep dive into samba history. If you're building a set that mixes straight jazz with Latin grooves, this is a natural anchor.

• Reading and executing samba grooves and clave patterns
• Balance and blend in small-group lead textures (flute, trumpet, guitar)
• Listening and responding to drum solos without losing ensemble pulse
• Building dynamic intensity toward a structured climax
• Reading optional octave transpositions and managing register flexibility