H.O.L.Y.: TBB Choral Octavo

Mark Brymer's arrangement captures the infectious energy and straightforward charm of the original without sacrificing vocal musicality. The flexible voicing options (TB/TTB/TBB/TTBB) mean you can use this with virtually any mixed choir configuration, and the contemporary sound gives your singers material they actually connect with.

Warm, grounded, and earnest. The song carries an intimate confessional quality despite its radio-friendly production, creating space for singers to find genuine emotion within an upbeat, modern groove. Expect audiences to recognize and respond immediately.

Any director seeking contemporary material with genuine crossover appeal for mixed voices. This works equally well for pop-focused choirs, general music ensembles dipping into current repertoire, or programs aiming to build student engagement through music they already know.

• Balance the rhythmic precision of the rhythm section with the melodic line; these pop and country grooves depend on clarity rather than legit singing
• Lean into the conversational quality of the lyrics for authentic delivery; this isn't baroque text painting, so encourage your singers to sing like they're speaking directly to the audience
• Work the dynamics across all voicings so the piece doesn't collapse into monotone; the arrangement likely includes moments of space that hit harder when contrast is built intentionally

Slot this into a contemporary or pop-themed concert set where it can anchor a program of recent hits, or use it as an opener to establish energy and connect with listeners early. The approachable style also makes it strong material for community performances, informal concerts, or settings where reaching a broad audience matters.

• Rhythmic coordination in pop/rock grooves with syncopated figures
• Flexible voicing awareness and blend across multiple choir configurations
• Authentic vocal delivery in contemporary commercial idioms
• Dynamic control and contrast within a consistent rhythmic framework