Guitare Jazz Maitrise de L'improvisation [Mastering Jazz Guitar: Improvisation]: Guitar Book & CD

This book picks up exactly where intermediate improvisation study ends, offering advanced players concrete techniques for navigating altered dominants, diminished and whole tone scales, and modal interchange without overwhelming theory. The included CD provides real-world context for each concept, and the clear diagrams make even complex harmonic territory accessible during practice.

Focused and exploratory. Each chapter builds a specific harmonic color, letting you hear and apply it immediately through the accompanying recordings. The balance of pedagogical clarity and challenging material creates that satisfying tension between understanding the concept and actually making it sing.

Advanced jazz guitarists ready to expand their improvisational toolkit beyond basic chord changes and standard major and minor scales. This resource suits players preparing for serious performance, composition study, or formal jazz education who want systematic, well-organized guidance through the altered harmony and modal concepts that define contemporary jazz soloing.

• Work through one altered chord concept per practice session rather than trying to absorb all targets and loops at once; the repertoire on the CD reinforces each approach separately.
• Use the example phrases as starting points for your own vocabulary building, then transpose them through several keys to internalize the sound of each scale and its relationship to specific chord qualities.
• Record yourself improvising over the CD tracks to hear how your phrasing and timing sit against the rhythm section, especially when experimenting with diminished or whole tone movement.
• Study the diagram layouts before playing through the corresponding CD examples; visual reference while listening accelerates melodic retention.

This works best as a private studio curriculum for advancing jazz guitarists over several months, allowing weekly concentration on one concept and steady integration into their playing. Ensemble directors can recommend it to soloists preparing cadenza passages or featured choruses in jazz band charts.

• Improvisation over altered dominant chords
• Diminished scale applications and fingering efficiency
• Whole tone (unitonic) scale usage and harmonic targeting
• Modal interchange and reharmonization concepts
• Looped phrase development and rhythmic motif construction
• Ear training for recognizing and responding to chord alterations in real time