Grieg: Peer Gynt Suite, No. 2, Op. 55: Piano Duet (1 Piano, 4 Hands) Comb Bound Book
By Edvard Grieg
Item: 00-PK-0003789
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| Grieg: Peer Gynt Suite, No. 2, Op. 55 | $1.99 | |
| Grieg: Peer Gynt Suite, No. 2, Op. 55 | $1.99 | |
| Grieg: Peer Gynt Suite, No. 2, Op. 55 | $1.99 |
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Peer Gynt Suite No. 2, Opus 55: Piano Duet (1 Piano, 4 Hands) Comb Bound Book |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Grieg: Peer Gynt Suite, No. 2, Op. 55: Piano Duet (1 Piano, 4 Hands) Comb Bound Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Edvard Grieg
Edvard Grieg (1843-1907) was a Norwegian composer who drew deeply from his country's folk traditions to create some of the Romantic era's most distinctive and accessible orchestral works. His gift for melody and harmonic color made him a bridge between classical form and nationalist expression, influencing generations of composers who followed.
Peer Gynt Suite No. 2 originated as incidental music for Henrik Ibsen's play, a collaboration that showcased Grieg's ability to distill large orchestral ideas into their essential emotional and musical content. His later piano duet arrangements of these movements demonstrate his skill at writing for the medium without sacrificing the lyrical richness that made the originals memorable.
Why we love this
This arrangement captures the suite's most recognizable moments in an idiom that feels natural to the piano duet medium rather than like a transcription. The four-hand texture allows two players to navigate Grieg's chromaticism and rubato with shared responsibility, making it ideal for collaborative learning between a teacher and advancing student or two peers.
What to expect
Peer Gynt Suite No. 2 evokes the Scandinavian landscape and Ibsen's psychological drama through Grieg's gift for atmospheric color and memorable melody. These movements unfold with a dreamy, introspective quality punctuated by moments of folkloric warmth and subtle harmonic surprises that feel both accessible and sophisticated.
Who it's for
Advanced young pianists and teacher-student pairs seeking substantial repertoire that bridges technical growth and musicianship, as well as adult pianists returning to the instrument who enjoy Romantic-era repertoire. The four-hand format makes it accessible to players at slightly different levels when paired with an experienced partner.
How to get the most out of it
- Balance the melody between primo and secondo parts with intentional listening; Grieg's orchestration calls for the inner voices to emerge at key moments, not just the uppermost line.
- Shape phrases across the hand divisions rather than treating them as separate parts; the arrangement succeeds when both players breathe together.
- Honor the rubato indicated in the score without losing rhythmic cohesion between the two players; use eye contact and slight tempo flexibility to stay coordinated.
How to use it
Feature this in a chamber concert or collaborative recital where piano duet repertoire can share the stage with solo works, or use it as a vehicle for ensemble listening and analysis in a music theory or history class focused on nationalism and orchestration.
Skills your students will build
- Coordinating rhythmic independence between primo and secondo parts
- Interpreting Romantic-era rubato and phrasing across hand divisions
- Balancing voices within the four-hand texture to highlight inner melodies
- Responding to a partner's musical choices while maintaining ensemble integrity