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Greatest Hits: The '50s and Early '60s for Piano: Piano/Vocal/Guitar Book

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Greatest Hits: The '50s and Early '60s for Piano Cover Image

Greatest Hits: The '50s and Early '60s for Piano: Piano/Vocal/Guitar Book

Over 50 Pop Music Favorites

By various artists and composers

Item: 00-43012

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Description
This collection of over 50 songs highlights the best songs from the '50s and early '60s, by such artists as Sam Cooke, Ray Charles, Jerry Lee Lewis, Fats Domino, Ricky Nelson, Jackie Wilson, Eddie Cochran, Screamin' Jay Hawkins, and more. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: Ain't That a Shame (Fats Domino) * Another Saturday Night (Sam Cooke) * April Love (Pat Boone) * Be-Bop-a-Lula (Gene Vincent and The Blue Caps) * Blue Velvet (Bobby Vinton) * C'mon Everybody (Eddie Cochran) * Come Go with Me (The Dell-Vikings) * Come Softly to Me (The Fleetwoods) * Cupid (Sam Cooke) * Deep Purple (Nino Tempo and April Stevens) * Donna the Prima Donna (Dion) * Don't Hang Up (The Orlons) * Early in the Morning (Bobby Darin) * Earth Angel (Will You Be Mine) (The Penguins) * Everybody Loves to Cha Cha Cha (Sam Cooke) * Handy Man (Jimmy Jones) * Hey! Paula (Paul and Paula) * A Hundred Pounds of Clay (Gene McDaniels) * Hush-a-Bye (The Mystics) * I Put a Spell on You (Screamin' Jay Hawkins) * I Wonder Why (Dion and The Belmonts) * I'll Be Home (The Flamingos) * I'm Walkin' (Fats Domino) * Johnny Angel (Shelley Fabares) * Lonely Avenue (Ray Charles) * Lonesome Town (Ricky Nelson) * A Lover's Prayer (Dion and The Belmonts) * Lovers Who Wander (Dion) * Mama Said (The Shirelles) * Misty (Johnny Mathis) * The Monster Mash (Bobby "Boris" Pickett) * Mother-in-Law (Ernie K-Doe) * Mountain of Love (Harold Dorman) * Mr. Blue (The Fleetwoods) * Only Sixteen (Sam Cooke) * Poor Little Fool (Ricky Nelson) * (We're Gonna) Rock Around the Clock (Bill Haley and His Comets) * Sandy (Dion) * See You in September (The Tempos) * Shimmy Shimmy Ko-Ko-Bop (Little Anthony and The Imperials) * So Much in Love (The Tymes) * Splish Splash (Bobby Darin) * Sweet Talkin' Guy (The Chiffons) * A Teenager in Love (Dion and The Belmonts) * Tossin' and Turnin' (Bobby Lewis) * The Twelfth of Never (Johnny Mathis) * Viva Las Vegas (Elvis Presley) * Volare (Bobby Rydell) * Walking to New Orleans (Fats Domino) * Whole Lotta Shakin' Going On (Jerry Lee Lewis) * Who's Sorry Now? (Connie Francis) * (What a) Wonderful World (Sam Cooke) * (Because) You Belong to Me (Sam Cooke) * You Better Know It (Jackie Wilson) * You Send Me (Sam Cooke) * (For) Your Precious Love (Jerry Butler).

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Additional Details
Series: Greatest Hits
Publisher: Alfred Music
Page Count: 248
ISBN10: 1-4706-1701-3
ISBN13: 978-1-4706-1701-1
UPC: 038081486864
SKU: 00-43012

More about this title

Why we love this

This collection captures the raw energy and melodic immediacy of early rock and roll, doo-wop, and early soul when these genres were still converging. The inclusion of over 50 hits from artists ranging from Fats Domino to Sam Cooke means you'll find genuine crowd-pleasers that singers and pianists actually want to perform, not obscure deep cuts. Having piano accompaniment, vocal melody, lyrics, and guitar chords all in one book makes this genuinely practical for a pianist accompanying a vocalist, a guitarist leading rehearsals, or a pianist working solo.

What to expect

Opening this book transports you straight into the moment when rock and roll, rhythm and blues, and pop singing converged on radio and in live venues. The arrangements capture the optimism and infectious rhythmic energy of the era, with piano parts that swing, jump, and occasionally shimmer with the sophistication of arrangements from that golden age of popular music. Whether you're playing a straightforward ballad like "Blue Velvet" or the infectious groove of "C'mon Everybody," the music feels alive and immediate.

Who it's for

Pianists accompanying vocalists in rehearsals, performances, and recitals will find immediate value in having melody, lyrics, chords, and a full arrangement all on one page. Guitarists and singers working in small ensembles or duo settings can use this book as a primary resource for learning and performing songs from this era. Music directors programming concert material that spans multiple eras and styles will appreciate the breadth and accessibility of this collection.

How to get the most out of it

  • Balance the vocal line so it sits clearly above the piano accompaniment rather than fighting for attention; these songs reward a conversational dynamic between singer and accompanist
  • Pay attention to the rhythmic pocket of each style; the shuffle feel in early rock and roll pieces differs significantly from the straighter rhythm of doo-wop groups, and nailing these distinctions brings authenticity
  • Use the guitar chord diagrams as a guide to voicing choices on piano, but don't feel obligated to voice exactly as suggested; adapt the accompaniment to the acoustic and ensemble you're working with
  • Study recordings of the original artists when available to understand phrasing, articulation, and the specific character each song requires

How to use it

Build a concert around hits from a single decade or artist, letting the program tell a narrative arc through the musical evolution of early rock and roll. Pair selections from this collection with other repertoire to create contrast; a '50s and '60s medley offers a refreshing alternative to standard classical or contemporary pops arrangements. Use individual songs as warm-up material during rehearsals to build ensemble cohesion, since these melodies are instantly memorable and the rhythms naturally engage everyone in the room.

Skills your students will build

  • Reading piano accompaniment that moves between swing feel and straight rhythm
  • Coordinating vocal phrasing with a moving piano part
  • Understanding diatonic and blues-inflected harmony typical of the era
  • Translating guitar chord diagrams into piano voicings
  • Interpretation of pop and rock vocal style with appropriate articulation and phrasing
  • Sight-reading across multiple clefs and musical textures in a single book

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