Great Things He Has Done Cover Image

Great Things He Has Done: Piano Book

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Great Things He Has Done Cover Image

Great Things He Has Done: Piano Book

10 Sacred Arrangements in a Variety of Styles

Arranged by Victor Labenske

Level: Advanced

Item: 00-22470

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Description
Great Things He Has Done contains arrangements in contrasting styles that can be used in a wide range of settings, including worship services and recital performances. Victor Labenske creatively exploits harmonic, melodic and rhythmic devices while sensitively communicating the hymn texts of each piece. Advanced. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Great Things He Has Done: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 56
UPC: 038081228617
SKU: 00-22470

More about this title

About the Arranger: Victor Labenske

Victor Labenske

Victor Labenske teaches piano and composition at Point Loma Nazarene University in San Diego, where he completed his undergraduate degree summa cum laude. He holds a master's degree in piano performance from the University of Missouri-Kansas City Conservatory of Music and a Doctor of Musical Arts in piano performance from the University of Southern California, studying with Stewart Gordon.

Beyond the classroom, Labenske maintains an active concert career as both soloist and collaborative musician, frequently performing sacred music alongside his wife, Judith Spaite Labenske. His compositional catalog exceeds 700 published works across all difficulty levels. He has contributed to major music education journals and earned recognition as an Academic All-American Scholar and performer in the opening ceremonies of the 1984 Olympic Games. His sacred collections include the extensive Sunday Morning Companion library and Play Praise, a graded series of contemporary worship music for student pianists.

Why we love this

Labenske's ear for harmonic color and sensitivity to text shine throughout this collection. Rather than imposing a single interpretive stance, these arrangements honor the spiritual weight of the hymns while offering enough stylistic variety to sustain interest across an entire recital program or worship service.

What to expect

The music moves between reverent introspection and jubilant celebration, often within a single piece. Labenske's arrangements feel both rooted in hymn tradition and refreshingly contemporary, with harmonic twists and rhythmic vitality that prevent any sense of predictability.

Who it's for

Advanced pianists preparing for recitals, competitions, or worship settings will find substantial material here. This collection appeals to musicians seeking hymn-based repertoire that balances accessibility with genuine compositional craft.

How to get the most out of it

  • Treat each arrangement as a complete musical statement. The contrasting styles demand that you inhabit the specific world of each piece rather than applying a uniform approach throughout the book.
  • Attend closely to Labenske's harmonic choices, which often recolor familiar melodies in unexpected ways. These moments reward deliberate pedal work and attention to voice leading.
  • Allow the rhythmic devices in each piece their full expressive weight. Precision in execution will highlight the compositional ingenuity without forcing the music.

How to use it

Feature these pieces in a sacred recital or as part of a mixed program where you need repertoire that speaks to both traditional and contemporary sensibilities. The contrasting styles also allow you to program selections strategically throughout the year rather than performing the entire collection at once.

Skills your students will build

  • Harmonic analysis and reharmonization techniques
  • Interpretive choices within a sacred context
  • Pedal technique and voice control across varied textures
  • Stylistic flexibility and adaptability
  • Text-music relationships and their performance implications

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