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Great Singers on the Art of Singing: Vocal Textbook

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Great Singers on the Art of Singing: Vocal Textbook

By Harriet Bower and James Francis Cooke

Item: 06-291901

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Description
Wonderful compilation of advice and instruction from operatic immortals: Nellie Melba on voice training and preservation, Alma Gluck on building a vocal repertoire, Geraldine Farrar on the will to succeed, plus contributions from Caruso, Galli-Curci, Garden, Lehmann, many more. Indispensable for singers and any opera lover. Cooke, long-time editor of Etude Magazine, provides an Introduction. 24 photographs.

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Additional Details
Series: Dover Edition
Publisher: Dover Publications
ISBN10: 0-486-29190-1
ISBN13: 978-0-486-29190-1
UPC: 9780486291901
SKU: 06-291901

More about this title

About the Author: James Francis Cooke

James Francis Cooke served as editor of Etude Magazine for decades, positioning himself at the center of American music pedagogy and professional discourse. His editorial work brought him into contact with the world's leading vocalists, and he used that access to create resources that connected serious students and teachers to the voices and philosophies shaping operatic art.

Why we love this

This book bypasses the usual textbook voice and goes straight to the source: singers who built and sustained world-class careers. You get Melba on longevity, Farrar on artistry and determination, Caruso on technique. That's not theory filtered through a pedagogue. It's lived experience from artists who earned their authority, making it invaluable both for voice teachers designing studio philosophy and for students hungry to understand what excellence actually demands.

What to expect

Reading these pages feels like sitting in the studio or dressing room with artists at the height of their powers, listening to them reflect on how they got there and what it takes to stay. The voices are direct, confident, and often candid about the work involved. There is no mystique here, only honesty about craft.

Who it's for

Voice students serious enough to seek wisdom beyond their current teacher, voice instructors building a studio philosophy grounded in vocal tradition, and singers preparing for the professional stage who want to understand how their predecessors thought about longevity, artistry, and repertoire. Opera enthusiasts and music history students will also find this essential primary source material.

How to get the most out of it

  • Read Melba's voice training and preservation advice before undertaking significant technical work; her approach to protecting the voice across a long career remains relevant to modern studio practice.
  • Use Gluck's framework for building repertoire as a lens for choosing which arias and songs to tackle next, rather than letting repertoire choose you.
  • Reference Farrar's perspective on the will to succeed when students hit frustration; her writing addresses the psychological dimensions of artistry that technique alone cannot teach.
  • Study the contributions from multiple singers on the same topic (if provided) to recognize that even among the greatest voices, approaches vary; this builds interpretive independence.

How to use it

Assign sections to students preparing major roles or auditions; let them read the relevant singer's voice on character, interpretation, or technique. Use it in master classes or studio seminars to ground discussions of repertoire selection and artistic development in actual practice. Teachers might reference specific passages when designing studio curriculum around vocal health, artistic maturity, or the business of singing professionally.

Skills your students will build

  • Understanding vocal health and voice preservation across a singing lifetime
  • Developing a coherent approach to repertoire selection and progression
  • Cultivating artistry and interpretive independence from technique
  • Building mental discipline and artistic will
  • Recognizing that multiple valid approaches to singing exist among great artists

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