Great Is Thy Faithfulness (arr. Tom Fettke) Sheet Music Preview

Great Is Thy Faithfulness (arr. Tom Fettke): Choral Instrumental Pak

Arranged by Tom Fettke

Item: 35-PK00511023

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Description
Masterful arranging brings grace and power to this adored hymn. Significant piano writing reinforces choral security and offers an orchestral power to the sonic stack. The soaring highlights of the refrain are a choral tour-de-force for the worshipping choir. Classic! Score and Parts (tpt 1-3, hn, tbn 1-2, opt. tba) available as a digital download.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00511023

More about this title

About the Arranger: Tom Fettke

Tom Fettke

Tom Fettke has spent over five decades creating choral music that works in real rehearsal rooms and real worship spaces. A veteran of both public school music education and church music leadership, he brings deep understanding of what singers need and what congregations respond to. His creative output spans hundreds of published works and recordings, and his hymnal projects have placed millions of copies in churches worldwide.

Beyond his prolific composing and arranging, Fettke shaped contemporary worship music as creator and Senior Editor of The Hymnal for Worship and Celebration and The Celebration Hymnal. He holds degrees from Oakland City College and California State University at Hayward, earned a California Lifetime Music Credential in Secondary Music, and directed choral activities for the Redwood Christian School System. His work reflects the perspective of someone who has actually stood in front of both school and church ensembles, understanding the musical and spiritual demands of both contexts.

Why we love this

Fettke's touch with this beloved hymn respects what makes it sing while giving it architectural substance through intelligent brass writing and piano scoring that strengthens intonation without overwhelming the text. The refrain becomes a genuine climax moment, not just a repeat, making it feel earned by your choir and your audience. This is arranging that serves the music and the musicians equally.

What to expect

Grace and confidence live together here. The hymn's meditative text gets space to breathe in the verses, while the refrain opens into something expansive and celebratory. The piano and brass work together to create an almost orchestral warmth that elevates the choir's sound without requiring a full orchestra.

Who it's for

Church choirs and worship teams seeking a fresh arrangement of a hymn that refuses to age, as well as school choral programs drawn to sacred music with substance. Any ensemble that values both vocal accessibility and instrumental color will find this arrangement engaging.

How to get the most out of it

  • Balance the piano part carefully in rehearsal; its role is to anchor and reinforce, not to compete. Once your ensemble is secure, the accompaniment can pull back slightly to let the voices expand.
  • Mark the refrain's peak moment clearly in your score. Your sopranos especially need to know where the lift happens so they can shape toward it rather than just sing through it.
  • Give your brass players time to lock together in sectional rehearsals. The trumpet and horn writing sits in ranges where blend matters greatly.
  • Consider the emotional arc of each verse leading into the refrain. Small dynamic shaping and breath placement in the verse will make the refrain's power feel like a natural response rather than a sudden shift.

How to use it

Position this as a cornerstone piece in a spring worship concert or a finale for a sacred music program. It pairs naturally with other hymn settings or contemporary worship selections and works equally well as a standalone feature for a choral festival or church service. The arrangement's sophistication earns it a significant slot, not a filler moment.

Skills your students will build

  • Blending sustained notes across a four-part texture
  • Responding to brass accompaniment without losing vocal independence
  • Shaping phrase arcs across longer melodic lines
  • Balancing personal intonation with ensemble tuning in hymn harmony
  • Building dynamic contrast in a piece with limited tempo variation

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