Great Is The Lord Sheet Music Preview

Great Is The Lord: E-Z Play Today

As performed by Michael W. Smith

Item: 35-DS00460112

Digital Download
$4.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00460112

More about this title

About the Artist: Michael W. Smith

Michael W. Smith is a keyboardist and singer who shaped contemporary Christian music from the 1980s onward. His work spans worship, pop, and film composition, making him one of the most commercially successful artists in the genre. For music educators, his pieces represent accessible entry points into modern sacred music with strong melodic writing and emotional directness.

Why we love this

The E-Z Play arrangement captures the essence of a contemporary worship staple without requiring advanced technical facility. Students engage with a recognizable, culturally relevant song while building confidence at the keyboard, and the three-page length makes it realistic for rehearsal time constraints.

What to expect

The piece unfolds with reverent clarity, grounded in straightforward harmony that supports rather than complicates the melodic line. There's an intimate quality here, the kind of direct emotional expression that defines modern sacred music without theatrical flourish.

Who it's for

This arrangement suits student pianists working toward fluency with contemporary worship repertoire and teachers looking for repertoire that bridges classical and modern genres. It's equally valuable for worship settings where pianists of varying levels need accessible, singable material.

How to get the most out of it

  • Balance the melody so it sits clearly above the harmonic accompaniment; resist the urge to play block chords too loudly underneath.
  • Shape the phrases as you would sing them, letting breath happen naturally at the ends of lines even though there's no rest printed there.
  • Keep the tempo steady and allow the harmonic progression to breathe in quieter passages rather than pushing forward.

How to use it

Include this in a service or concert devoted to contemporary sacred music, or use it as an opening or closing piece where accessibility allows broader audience connection. It works beautifully paired with other worship arrangements as a standalone musical meditation.

Skills your students will build

  • Reading lead sheet notation with chord symbols
  • Playing melody with harmonic accompaniment simultaneously
  • Shaping phrasing in contemporary music contexts
  • Voicing chords in right hand while maintaining bass line in left hand

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