Great, Gettin' Up Day!: SATB Choral Octavo
Great Day * In That Great Gettin' Up Mornin' * My Lord, What a Mornin'
Traditional Spirituals / arr. Sally K. Albrecht
Item: 00-PO-0005992
Minimum order quantity: 20 copies
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About the Arranger: Sally K. Albrecht

Sally K. Albrecht has spent decades shaping choral music in American schools and concert halls. Since 1987, she has received consecutive ASCAP Special Music Awards and published over 600 choral works alongside 75 larger musicals and songbooks. Her conducting has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, while her editorial vision shaped choral catalogs at major educational publishers, including Alfred Music, where she directed school choral and vocal publications for more than thirty years.
Holding degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht has taught at Oakland University, Jersey City State College, and Meredith College. She served as Chair of the Board of Trustees for Omicron Delta Kappa and received the society's "Pillar of Leadership" award. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna Awards.
Why we love this
Albrecht packs three beloved spirituals into a tight arc without feeling rushed or overstuffed. The arrangement's strongest asset is its clarity in the writing itself; individual voice parts stay singable and purposeful while the full texture builds genuine excitement through dynamic contrast and thematic interweaving.
What to expect
A celebration that builds organically from fanfare into spiritual joy. The arrangement honors the traditional texts and melodies while creating something fresh through its clever weaving of themes, giving singers and audiences alike a sense of discovery and uplift.
Who it's for
Choirs with solid fundamental technique and confidence in four-part harmony. This is ideal for groups comfortable with authentic spiritual style and ready to tackle an arrangement that rewards precise ensemble blend alongside expressive interpretation.
How to get the most out of it
- Lean into the opening fanfare with confidence and full ensemble commitment; this moment sets the energetic tone that carries through the entire arrangement.
- Shape the transitions between spirituals carefully so the audience hears each tune as a distinct moment before the themes begin to layer together.
- Treat the dynamic range as essential architecture, not decoration; the contrast between softer passages and fuller sections creates the momentum that makes this a concert highlight.
How to use it
Program this as an energetic anchor in a spirituals concert or as part of a broader sacred choral set where its compact runtime and high energy can balance longer, more meditative pieces. Its contest-ready polish and concert appeal make it equally valuable whether performed in competition or as a centerpiece of a community concert.
Skills your students will build
- Singing traditional African American spirituals with authentic stylistic understanding
- Balancing independent voice lines while maintaining ensemble cohesion in SATB voicing
- Executing rapid dynamic shifts and maintaining tone quality across a full dynamic spectrum
- Identifying and performing thematic material across multiple melodies and maintaining clarity during musical layering