Great Adventure (from Kimberly Akimbo) (arr. Roger Emerson): 2-Part Choral Octavo

This arrangement captures the infectious optimism of the original while scaling it perfectly for developing choirs. Tesori's melodic writing is genuinely singable without sacrificing the emotional core that makes the song resonate, and Emerson's 2-part treatment creates natural voice leading that teaches musicality rather than just hitting notes.

Bright and forward-moving, with a sense of possibility and genuine warmth. The melody has a folk-like quality that feels immediate and memorable, while the harmonic support adds sophistication without becoming dense or academic.

This works beautifully for middle and high school choirs at any level of experience. The 2-part writing makes it accessible for developing ensembles while the Broadway context and emotional substance keep more advanced singers engaged.

• Shape the phrasing toward the higher notes rather than treating them as destination points. This keeps the line moving forward and prevents the 2-part texture from sounding static.
• Balance the harmony carefully in the blend sections; young singers often push the lower part under. Both parts deserve equal presence to let Tesori's harmonic color come through.
• Connect the song's energy to its narrative purpose. Knowing that this piece captures a character's sense of possibility helps singers invest in the brightness without it feeling forced or artificial.

Pair this with other contemporary musical theater selections to create a concert that speaks to what your singers know and love. It also makes an excellent choice for spring programming when audiences respond well to accessible joy, or use it early in the year to build confidence and momentum with a piece that feels both theatrical and achievable.

• Singing sustained lines with forward phrasing momentum
• Blending harmony in a 2-part texture
• Applying dynamic shaping to reinforce musical architecture
• Connecting character interpretation to vocal performance choices