Greasy Sack Blues Sheet Music Preview

Greasy Sack Blues: Jazz Ensemble Conductor Score & Parts

As performed by Donald Rader / Arranged by Paul Murtha

Grade: 3

Item: 35-PK00386372

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$45.00

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Description
Made famous by the Woody Herman Thundering Herd, here is a marvelous adaptation for younger players by Paul Murtha. Following the opening chorus for piano, the trumpets state the main theme with answers from the trombones and a counterline in the saxes. The solo section is flexible for any player, but sample solos are provided for trumpet and alto sax. The final ensemble chorus starts softly and builds to a climactic ending with plenty of attitude!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00386372

More about this title

Why we love this

Paul Murtha's arrangement strips away nothing essential from the Woody Herman classic while keeping the part writing accessible for Grade 3 players. The flexible solo section lets you feature your strongest improvisers without leaving others idle, and that final chorus builds with real swagger, giving your ensemble a moment that feels genuinely professional.

What to expect

Straight-ahead blues swagger with a touch of mid-century sophistication. The opening piano roll sets a relaxed, almost conversational mood before the horns break in with personality and attitude, giving way to moments of genuine ensemble power.

Who it's for

Jazz ensembles at the Grade 3 level who are ready to tackle a standard with real harmonic and rhythmic sophistication without needing advanced facility on their instruments. This works equally well for mixed instrumentation or traditional big band seating.

How to get the most out of it

  • Start the ensemble chorus softly to establish dynamic contrast; the crescendo to the climax lands harder when you've earned it from a quiet place
  • Have soloists practice trading 8s or 4s with the rhythm section before the full ensemble rehearsals, so they understand the pocket beneath their line
  • Balance the counterline in the saxes against the trumpet melody during the opening theme; it shouldn't disappear, but it also shouldn't upstage the main statement
  • Shape the piano solo chorus with intention, letting it breathe as a true break before the ensemble reasserts itself

How to use it

Pair this with another blues standard or swing chart to build a cohesive set focused on American jazz repertoire, or use it as a closer on a concert where you want to send the audience out smiling. It's substantial enough to anchor a program but approachable enough that rehearsal time translates directly into performance readiness.

Skills your students will build

  • Trading solos and responding to ensemble cues
  • Playing with swing feel and behind-the-beat phrasing
  • Managing dynamic arch across a full chorus
  • Balancing melody, harmony, and counterline textures
  • Listening to and locking with the rhythm section

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