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Grand Pursuit: Flexible String Ensemble Score

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Grand Pursuit Cover Image

Grand Pursuit: Flexible String Ensemble Score

By Michael Kamuf

Grade: 2

Item: 00-49443S

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Description
Written to reinforce dotted quarter/eighth note patterns, Grand Pursuit by Michael Kamuf features contrasting melodies, bold harmonies, and a fun, groove-oriented development section that combine to create a piece both your students and audiences will enjoy. (2:00)

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Additional Details
Series: Belwin Intermediate String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-5049-5
ISBN13: 978-1-4706-5049-0
UPC: 038081571270
SKU: 00-49443S

More about this title

About the Composer: Michael Kamuf

Michael Kamuf

Michael Kamuf earned degrees in Jazz Performance and Music Education from Youngstown State University's Dana School of Music, followed by a Master of Arts in Instrumental Conducting from George Mason University. His compositions and arrangements have been recorded by leading jazz orchestras including the Woody Herman and Glenn Miller Orchestras, the USAF Airmen of Note, and the US Navy Commodores, as well as prominent soloists such as James Moody, Eddie Daniels, and Sean Jones.

Kamuf spent three decades teaching instrumental music in Montgomery County, Maryland Public Schools, where he directed bands and orchestras at John T. Baker Middle School for 27 years. Under his leadership, the Baker ensembles earned consistent festival recognition and commissioned multiple works for young concert bands. As an exclusive Belwin composer, Kamuf has published over 100 titles across jazz, orchestra, and concert band catalogs with Alfred Music and other publishers. He currently leads the Mike Kamuf Little Big Band and continues composing works that serve music education at all levels.

Why we love this

Kamuf writes with a clear understanding of what Grade 2 ensembles need: a rhythmic anchor that gets students engaged without overwhelming them. The focused work on dotted quarter/eighth patterns means you're not just checking a skill off a list, you're building it through music that actually grooves, so students feel the payoff immediately. The flexible scoring lets you adapt the instrumentation to your section strengths, and the piece reads as both substantial and achievable at festival.

What to expect

Grand Pursuit pulls you forward with its steady rhythmic foundation, then breaks open into contrasting melodies that let ensemble members feel like they're part of something bigger. The groove-oriented development section shifts the mood into something more contemporary and energetic, giving both players and audiences a moment of musical lift before the piece lands.

Who it's for

String orchestras at Grade 2 level who are ready to work on rhythmic precision without needing a two-part texture. Directors preparing for festivals or looking for a piece that combines skill-building with genuine musical shape will find this accessible but not simplistic. It works well for ensembles with developing reading skills who benefit from grooved, repetition-based phrasing.

How to get the most out of it

  • Lock the dotted rhythm internally before adding the contrasting melodic lines. Have students tap the rhythm while others play the melody to cement the relationship between parts.
  • Let the groove-oriented development section breathe in rehearsal. The contrast works best when students understand they're transitioning into a different energy, not just playing faster.
  • Balance the bold harmonies by having violins and lower voices rehearse separately first, then layer them in. A student who hears only their own part often loses track of how the harmony sits.
  • Check articulation consistency across your string sections. The dotted figure will either lock tight or sound scattered depending on whether your players are matching attack and release.

How to use it

Program this early in the year when you're establishing rhythmic fundamentals and building ensemble cohesion through repetition and layering. It also works well as a festival selection that demonstrates growth in rhythmic accuracy and balance without requiring the range of a more advanced piece. Consider pairing it with a lyrical selection to show your ensemble's range across a contest or concert.

Skills your students will build

  • Dotted quarter/eighth note rhythm recognition and execution
  • Part independence when multiple melodic lines occur simultaneously
  • Ensemble balance and blend across string sections
  • Listening to harmonic relationships within a flexible instrumentation
  • Rhythmic precision in groove-based figures

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