Grand Duets for Christmas, Book 2 Cover Image

Grand Duets for Christmas, Book 2: Piano Duet (1 Piano, 4 Hands) Book

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Grand Duets for Christmas, Book 2 Cover Image

Grand Duets for Christmas, Book 2: Piano Duet (1 Piano, 4 Hands) Book

8 Elementary Arrangements for One Piano, Four Hands

Arranged by Melody Bober

Level: Elementary

Item: 00-47298

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Description
The thrill of making music with a friend or teacher during the holidays is captured in this series of Christmas duets. Written for pianists at the elementary level, the pieces in this collection have easy movement around the keyboard and simple hands-together coordination. Both primo and secondo parts are equal in difficulty. The selections of familiar titles feature a variety of keys, styles, meters, and tempos. Titles: Away in a Manger * Good King Wenceslas * Hark! the Herald Angels Sing * O Come, Little Children * O Come, O Come Emmanuel * Rise Up, Shepherd, and Follow * Up on the Housetop.

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Additional Details
Series: Grand Duets for Piano
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-4064-3
ISBN13: 978-1-4706-4064-4
UPC: 038081541198
SKU: 00-47298

More about this title

About the Arranger: Melody Bober

Melody Bober

Melody Bober holds degrees in music education from the University of Illinois at Champaign-Urbana and in piano performance from Minnesota State University, Moorhead. Her teachers included accomplished pianists Joel Shapiro and Andrew Froelich, music educator Mary Hoffman, and jazz musician Tony Caramia. Over her career, she has taught piano privately, in public schools for two decades, and at the university level, while also serving as a church pianist, accompanist, and music director.

Bober's compositions are known for their pedagogical clarity and musical substance. She is frequently invited to conduct clinics and workshops for piano teachers throughout North America, and her work reflects a deep commitment to building students' musical understanding and engagement with repertoire.

Why we love this

These duets solve a real scheduling problem: both parts sit comfortably in the elementary range, so you can pair students of similar ability without one player becoming the accompanist. The seven familiar carols offer enough variety in key and style to keep rehearsals fresh, and equal part writing means both players feel like soloists from the first page.

What to expect

These arrangements honor the warmth and familiarity of beloved Christmas melodies while keeping the technical demands grounded in elementary technique. The result is music that feels genuinely festive and celebratory, not simplified or condescending; both players get to enjoy the carols themselves rather than just supporting someone else's performance.

Who it's for

This collection is ideal for elementary pianists ready to experience ensemble playing without the complexity of unequal part writing. Whether you're a private teacher looking for holiday repertoire that keeps both students engaged or a school music program seeking accessible duets for a winter concert, these pieces offer genuine musical satisfaction at an achievable level.

How to get the most out of it

  • Balance the melody between primo and secondo parts by listening carefully during early rehearsals; neither player should dominate even when one part carries the tune.
  • Work through passages where hands cross or reach over the keyboard in separate hands first, then combine them at a slower tempo before bringing it up to tempo.
  • Establish a steady pulse together before adding interpretive touches; duet players need to lock in rhythmically, and a clear internal beat prevents rushing or dragging.
  • Observe key changes between pieces during rehearsal so both players anticipate sharps and flats; a quick run-through of the new key signature prevents stumbles at the transition.

How to use it

Feature these duets in a winter concert as a full set, or select individual pieces to bridge between larger ensemble numbers and solos. They work particularly well in school assemblies and informal holiday celebrations where families want to hear young pianists collaborate, since the equal-difficulty writing means genuine musical partnership rather than teacher-student support.

Skills your students will build

  • Reading music in various keys while maintaining ensemble awareness
  • Hand independence and coordination in both hands across both players
  • Following a partner's tempo and phrasing in ensemble context
  • Keyboard navigation with comfortable hand position and minimal reaching
  • Sight-reading confidence through exposure to multiple styles and meters
  • Listening and responding to a partner's musical choices in real time

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