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Grand Alap (A Window in the Sky): Duet Performing Score (1 copy)

$28.95 USD
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Grand Alap (A Window in the Sky) Cover Image

Grand Alap (A Window in the Sky): Duet Performing Score (1 copy)

(1996)

By Chinary Ung

Item: 98-EP67755

$28.95
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Description
For Amplified Cello and Percussion.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-30-074463-3
ISBN13: 979-0-3007-4463-6
SKU: 98-EP67755
Instrumentation: Amplified Cello and Percussion

More about this title

About the Composer: Chinary Ung

Chinary Ung is a Cambodian-American composer whose work bridges contemporary classical music with the sonic traditions of Southeast Asia. Born in Cambodia and trained in Western composition at the University of Pennsylvania and elsewhere, Ung has built a distinctive voice that integrates gamelan principles, extended instrumental techniques, and microtonality into scores for concert hall and chamber settings. His pieces are performed internationally and have earned recognition from major presenters and ensembles seeking music that expands the expressive palette of traditional instruments.

Ung's pedagogical impact extends through his compositions for student and professional musicians alike. His willingness to explore amplification, non-traditional playing techniques, and cross-cultural sonic vocabularies has made his work essential for ensembles and soloists interested in 21st-century chamber music that challenges and expands technical and imaginative boundaries.

Why we love this

This duet ranks among the few chamber works that genuinely reimagine what cello and percussion can do together, especially with amplification opening entirely new sonic territories. The score reads as a genuine dialogue between two players of equal creative weight, avoiding the trap of percussion-as-accompaniment that plagues much cello duo repertoire. Programming this piece signals to your audience and your performers that you're committed to expanding the chamber music canon beyond European classical traditions.

What to expect

The soundworld opens like a window into a space where Eastern and Western sonic traditions coexist without hierarchy or synthesis. Moments of crystalline cello articulation shift into shimmering, resonant percussion washes; quiet introspection gives way to moments of raw, amplified intensity. The title's promise of perspective feels earned through the piece's refusal to explain itself, instead inviting the listener to sit quietly in the unfamiliar and discover beauty there.

Who it's for

Advanced collegiate cellists and percussionists seeking challenging contemporary chamber repertoire that demands both technical facility and interpretive sophistication. This work appeals to performers interested in extended techniques, amplified sound design, and cross-cultural musical dialogue. Academic music programs, new music ensembles, and adventurous recitalists will find a genuine artistic vehicle here rather than an academic exercise.

How to get the most out of it

  • Study the amplification requirements carefully before rehearsal; the electronics are compositional partners here, not afterthoughts. Work with a sound technician early to ensure the cello amplification supports rather than distorts the delicate timbral writing.
  • Balance the physical contact between players. Extended techniques in both parts require visual communication and often shared space around the instruments; blocking out this choreography in early rehearsals prevents last-minute collisions.
  • Treat the percussion part as melodic, not rhythmic filler. Many cello duos reduce percussion to timekeeping, but here it carries thematic material and dramatic weight equal to the string part.
  • Explore the score's microtonality and non-equal temperament markings without rushing to interpret them as 'experimental music' performance. These inflections serve specific emotional and timbral goals that emerge through careful listening, not extreme gesturing.

How to use it

Pair this with other contemporary chamber works that feature non-Western influences or extended techniques to create a cohesive concert identity. It works powerfully as the centerpiece of a chamber music recital exploring amplification and timbre, or as a standalone presentation of new music for audiences ready for something genuinely different. The 24-page length makes it substantial enough to anchor a program without overwhelming a concert's arc.

Skills your students will build

  • Extended cello techniques (harmonics, microtones, unconventional bowing and plucking)
  • Playing with amplification and managing feedback/signal flow
  • Reading non-standard notation and microtonally inflected passages
  • Ensemble balance when percussion and amplified string parts occupy similar frequency ranges
  • Collaborative interpretation of contemporary music without a recorded reference

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