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Graduated Repertoire for the Classical Guitarist, Book 1: Elementary Guitar Book

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Graduated Repertoire for the Classical Guitarist, Book 1 Cover Image

Graduated Repertoire for the Classical Guitarist, Book 1: Elementary Guitar Book

By Jeffrey McFadden, Andrew Zohn / ed. Jeffrey McFadden, Andrew Zohn

Item: 98-G1038

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Description
Graduated Repertoire for the Classical Guitarist is a progressive series of repertoire books for the developing guitarist. As you turn from page to page in these volumes, each new piece presents an incrementally progressive set of new technical, musical, reading or interpretive challenges.

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Additional Details
Series: Graduated Repertoire for the Classical Guitarist
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-656-6
ISBN13: 978-1-56-939656-8
UPC: 674398222032
SKU: 98-G1038

More about this title

Why we love this

The architecture of this book mirrors how students actually learn. Rather than jumping between unrelated pieces at random difficulty levels, each page builds systematically on the last, so students feel genuine progress week to week. McFadden and Zohn understand that momentum matters in classical guitar study, and this collection delivers it.

What to expect

Accessible and direct. These pieces respect the beginner's limited technical range while refusing to talk down musically. The writing feels composed rather than contrived, which keeps students engaged even when the difficulty is genuinely introductory.

Who it's for

Elementary guitarists working through their first or second year of study who need a coherent path from open position basics through early chord work and simple melodic reading. Teachers looking for a structured curriculum rather than a scattered collection will find this especially valuable.

How to get the most out of it

  • Establish a consistent practice sequence. Work through the pieces in order to reinforce technical concepts as they compound; skipping ahead undermines the pedagogical design.
  • Record yourself playing earlier pieces periodically. Returning to them mid-book reveals how much control and musicality you've gained, which builds confidence faster than focusing only on new material.
  • Pay attention to the interpretive instructions on each piece, even simple ones. The authors embed musical decision-making throughout, so treating notation as absolute rather than suggestive misses the point of the progression.

How to use it

Build recital programs around clusters of pieces from this book, programming three or four at different points in the year as checkpoints in student development. Alternatively, use it as your primary method text, substituting or supplementing other foundations-based approaches with repertoire that gives context to technique.

Skills your students will build

  • Reading standard notation in first position across the treble clef
  • Right-hand fingering patterns and consistency (rest stroke and free stroke distinction)
  • Left-hand finger independence and basic chord shapes in open position
  • Tempo control and maintaining steady pulse without external accompaniment
  • Phrasing and dynamics at an elementary level
  • Shifting between positions as pieces demand

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