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Grade 7 Piano Anthology: Advanced Piano

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Grade 7 Piano Anthology Cover Image

Grade 7 Piano Anthology: Advanced Piano

Examination Pieces for 2023 and 2024

By Various

Level: Advanced

Item: 98-EP73677

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Description
The Edition Peters Grade 7 Piano Anthology comprises 15 pieces from lists A, B and C of the Associated Board syllabus, together with 3 pieces suitable for the own-choice section of the Performance Exam. The anthology supports students preparing for either the Practical Exam or the Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue — one of the widest available. The own-choice pieces provide a valuable selection of fascinating repertoire suitable for the Performance Exam.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN13: 979-0-577-02318-2
SKU: 98-EP73677

More about this title

About the Composer: Carl Philipp Emanuel Bach

Carl Philipp Emanuel Bach stands as one of the most influential keyboard composers of the 18th century, bridging the Baroque world of his father Johann Sebastian Bach with the emerging Classical style. His prolific output of keyboard works, including over 200 keyboard sonatas and numerous fantasias and rondos, established him as a master of both structural clarity and emotional depth. Bach's approach to composition emphasized expressive melody and harmonic innovation, making his music essential study for pianists seeking to understand the transition from Baroque to Classical musical language.

Beyond his compositional achievement, Carl Philipp Emanuel Bach was a renowned performer and pedagogue whose influence shaped keyboard practice throughout Europe. His treatise on keyboard playing established foundational principles of touch and interpretation that remain relevant to pianists today. For music students, his works offer direct entry into a transitional period where both technical demands and interpretive richness reward careful study.

Why we love this

This anthology delivers exactly what Grade 7 pianists need: a curated selection that balances canonical works with contemporary voices, all drawn from one of the most reliable classical publishers. Norman Beedie's performance notes transform preparation into genuine interpretation work rather than mere technical drilling, addressing the specific challenges each piece presents. The inclusion of own-choice alternatives means students aren't forced into repertoire that doesn't suit their strengths, a real advantage when programming a recital matters as much as passing the exam.

What to expect

Moving through this anthology means encountering music of genuine substance; these aren't simplified showpieces but genuine works that demand musical thinking alongside finger work. The range spans from Bach's introspective keyboard idiom through Classical elegance, Romantic lyricism, and into modern works that expand what Grade 7 pianists typically encounter, creating a program that feels intellectually serious rather than assembly-line routine.

Who it's for

This collection serves pianists preparing for ABRSM Grade 7 exams, particularly those pursuing the Performance Exam track where programming and interpretation depth matter as much as technical accuracy. It's equally valuable for teachers building a coherent curriculum around the ABRSM syllabus, offering a single curated source rather than hunting for individual pieces across multiple publishers. Advanced students exploring Classical and Romantic piano repertoire will find substantial material that rewards deeper study beyond exam requirements.

How to get the most out of it

  • Record yourself on multiple occasions across your preparation period to track interpretive development, not just technical accuracy.
  • Study the period and style context of each piece before diving into fingering decisions; your hand position and weight distribution should reflect the music's character.
  • Use Beedie's notes as a starting point for questions rather than final answers; work with your teacher to understand *why* specific interpretive choices matter for each work.
  • Plan your own-choice selections based on pieces that genuinely excite you, since conviction in performance will distinguish your exam from a technically flawless but emotionally neutral recital.

How to use it

Assign this as your Grade 7 curriculum text, having students work through the syllabus repertoire in concert with Beedie's interpretive guidance to develop genuine artistic judgment alongside technical facility. For teachers preparing students for multiple exam sessions across a year, the own-choice options let you differentiate based on individual strengths without losing curricular coherence. Students moving beyond exam preparation can keep this volume as a reference source, returning to individual pieces for continued exploration as their musicianship matures.

Skills your students will build

  • Interpreting performance notes and translating them into physical execution at the keyboard
  • Building a complete program with architectural balance and narrative arc
  • Navigating the stylistic demands of music spanning three centuries within a single session
  • Developing historical awareness of keyboard writing across Baroque-to-Modern periods
  • Self-assessment of performances through recording and reflection

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