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Grade 5 Piano Anthology: Piano Book

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Grade 5 Piano Anthology Cover Image

Grade 5 Piano Anthology: Piano Book

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Level: Intermediate

Item: 98-EP20015

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Description
The Edition Peters Grade 5 Piano Anthology comprises a selection of pieces from lists A, B and C of the Associated Board piano syllabus for 2025-26, together with several pieces suitable for the own-choice section of the Performance Exam. The anthology supports students preparing for either the Practical Exam or the Performance Exam and is accompanied by Performance Notes which give advice on technique and interpretation for each piece. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue.

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Additional Details
Publisher: Edition Peters
Page Count: 48
ISBN10: 0-577-02458-2
ISBN13: 979-0-577-02458-5
UPC: 9790577024585
SKU: 98-EP20015

More about this title

Why we love this

The Edition Peters catalog brings serious compositional weight to exam prep, which means your students aren't just drilling repertoire, they're learning from genuinely musical sources. The inclusion of pieces across all three lists, plus own-choice options, gives you flexibility in how you pace instruction without forcing students into a one-size-fits-all progression.

What to expect

A thoughtfully assembled journey through classical piano writing, where each piece stands on its own merit while fitting coherently into a larger framework. You'll encounter different textures, hand distributions, and musical voices, the breadth that turns solo practice into genuine artistic growth.

Who it's for

Grade 5 students preparing for ABRSM practical or performance exams, or pianists who want a curated collection that moves beyond generic anthologies. Teachers will appreciate having a single, authoritative source that aligns directly with syllabus requirements for 2025-26.

How to get the most out of it

  • Study the Performance Notes alongside each score; they bridge the gap between correct notes and convincing interpretation, addressing technique pitfalls before they become habits.
  • Record yourself playing through a piece at tempo, then listen with the notes closed. You'll catch rhythmic inconsistencies and phrasing decisions you'd otherwise miss.
  • Isolate the technically demanding measures and work them separately at half speed, then gradually restore tempo. Exam pieces reward this precision.

How to use it

Assign pieces strategically across a semester or year based on technical needs and student temperament, using the three lists to vary program character. The own-choice pieces make excellent recital selections when you want to program outside the standard exam repertoire while maintaining rigor.

Skills your students will build

  • Sight-reading within intermediate musical forms and hand positions
  • Pedal control in legato and coloristic contexts
  • Voice independence in two- and three-part textures
  • Tempo and rhythmic stability across contrasting piece types
  • Stylistic awareness across different compositional periods
  • Interpretive decision-making with guidance from performance notes

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