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Grace: Jazz Ensemble Conductor Score

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Grace: Jazz Ensemble Conductor Score

By Quincy Jones and Jeremy Lubbock / arr. Quincy Jones and Sammy Nestico

Grade: 4.5 (Medium Advanced / Difficult)

Item: 00-JEM01023C

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Description
Composed by the Grammy¨ award-winning composer/producer Quincy Jones, this is an emotional ballad featuring tenor or soprano saxophone that will touch the hearts of both performers and audience alike. Lush chords and a tender piano introduction set the mood for this superb chart arranged in collaboration by Quincy Jones and Sammy Nestico. This song was originally written as the Gymnastics Theme for the 1984 Olympiad. Playable by an experienced jazz ensemble, this is a sensational ballad. Strongly recommended!

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Additional Details
Series: Quincy Jones & Sammy Nestico Premier Jazz
Publisher: Alfred Music
Page Count: 16
UPC: 654979994107
SKU: 00-JEM01023C

More about this title

About the Composer: Jeremy Lubbock

Jeremy Lubbock is a British composer and orchestrator whose work spans film, television, and concert music. His gift for elegant melodic writing and sophisticated harmonic language has earned him recognition across multiple genres, from classical to popular music contexts.

Why we love this

This ballad carries genuine emotional weight without sacrificing musicianship. The interplay between lush ensemble voicings and the featured saxophone line creates a framework that challenges advanced players to balance technical facility with interpretive restraint, making it as rewarding to conduct as it is to perform.

What to expect

Graceful and introspective, this piece unfolds like a conversation between the saxophone and the ensemble. The tender piano writing and lush harmonies create an intimate atmosphere that invites listeners into a moment of quiet reflection.

Who it's for

This conductor score works for experienced jazz ensembles with solid reading skills and the maturity to handle a ballad's interpretive demands. It suits programs where you need a showcase piece that demonstrates musical sophistication beyond pure swing groove.

How to get the most out of it

  • Shape the piano introduction with care; its tenderness sets the entire emotional foundation for what follows.
  • Balance the saxophone voice so it sings above the ensemble without cutting through the carefully crafted chord textures.
  • Maintain a singing legato throughout the ensemble writing even during sustained chord changes; avoid letting block voicings become static.
  • Let the band breathe with the soloist rather than against a rigid time feel; the ballad's power depends on subtle flexibility.

How to use it

Program this alongside other ballads to build a concert set that highlights your ensemble's lyrical capability, or use it as the emotional centerpiece of a jazz showcase. It works particularly well in contexts where you want to demonstrate range beyond uptempo charts.

Skills your students will build

  • Balancing solo and ensemble voices in jazz voicings
  • Sustaining legato phrasing across block chords
  • Interpreting rubato and flexibility in ballad contexts
  • Blending sectional voices while maintaining clarity
  • Responding to a soloist's phrasing and breathing as a unified ensemble

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