Grab Another Partner! Cover Image

Grab Another Partner!: CD Kit (Book & CD)

$59.99 USD
Sale price  $59.99 USD Regular price 
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Grab Another Partner! Cover Image

Grab Another Partner!: CD Kit (Book & CD)

12 Tremendous Partner Songs for Young Singers

By Sally K. Albrecht and Jay Althouse

Grade: 2--7

Item: 00-21679

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Description
There's nothing more fun than singing a partner song, plus it's a great way to develop independent 2-part singing with your young performers. Grab Another Partner! features 12 tremendous partner songs, each utilizing a well-known melody. The Teacher's Handbook includes reproducible song sheets and appropriate easy-to-teach staging suggestions. So grab a partner and let's sing! Titles: Come Back, Liza (with Watah Come a Me Eye) * Sleep, Baby, Sleep (with Schlaf, Kindlein, Schlaf) * Winter Sleigh Ride (with Over the River and Through the Wood) * To Joy (with Beethoven's Ode to Joy) * Peace (with Shalom Chaverim) * Ride the Sweet Chariot! (Swing Low, Sweet Chariot/Ride the Chariot) * Jingle All the Way! (with Jingle Bells) * Phone Tag (with Hello, Ma Baby) * Sit Down! (Sit Down, Servant/Oh, Won't You Sit Down) * High Flying Flag (with You're a Grand Old Flag) * Sierra Love Song (with Cielito Lindo) * Come Hear the Band! (with Alexander's Ragtime Band).

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Additional Details
Publisher: Alfred Music
Page Count: 76
ISBN10: 0-7390-3041-8
ISBN13: 978-0-7390-3041-7
UPC: 038081210728
SKU: 00-21679

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both publishing and composition; he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has over 800 choral works in print across all difficulty levels, performed widely throughout English-speaking countries. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award.

Beyond composition, Althouse has collaborated extensively with his wife, Sally K. Albrecht, on children's musicals and vocal collections including Folk Songs for Solo Singers. He has authored and co-authored several influential classroom resources, among them The Complete Choral Warm-up Book, Accent on Composers, Ready to Read Music, and Sixty Music Quizzes. Althouse has served on the board of the North Carolina Master Chorale and currently sits on the National Advisory Board of the Folk Art Society of America.

Why we love this

Pairing recognizable melodies creates an immediate sense of success for young singers while building genuine two-part independence. The staging suggestions transform what could be a purely musical exercise into an engaging theatrical experience that keeps younger students invested and entertained.

What to expect

Partner songs create a moment of discovery: students realize they're singing two different melodies that somehow lock together, and that recognition sparks real excitement. There's playfulness built into every arrangement, reinforced by the staging ideas that encourage movement and interaction rather than standing still at microphone stands.

Who it's for

This collection works best with upper elementary and middle school singers who have basic unison experience but haven't yet sung sustained two-part arrangements. It's equally valuable for general music classrooms seeking quick, low-prep material that feels like a game rather than a vocal drill.

How to get the most out of it

  • Teach each melody separately first, letting students master the familiar tune before introducing the partner song combination.
  • Use the recorded accompaniment to establish the harmonic foundation while singers locate their parts independently.
  • Position partner groups visually apart during rehearsal so students can hear their own line without being submerged in the other voice.
  • Practice the transitions between verses and any staging moments in isolation before running full arrangements.

How to use it

Slot these into spring concerts as a refreshing alternative to traditional two-part selections, or use them throughout the year as warm-up activities that double as teaching moments. The theatrical possibilities make them natural fits for school assemblies or special events where younger students need material that entertains an audience while remaining genuinely educational.

Skills your students will build

  • Maintaining independent vocal lines while hearing a different melody simultaneously
  • Matching pitch and sustaining tone as a partner singer
  • Reading simple two-part notation
  • Following staging directions while singing
  • Understanding how two distinct melodies can create harmonic cohesion

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