Gotterdammerung: Act III: Trauermusik beim Tode Siegfrieds (Siegfried's Death and Funeral Music; concert arrangement) Cover Image

Gotterdammerung: Act III: Trauermusik beim Tode Siegfrieds (Siegfried's Death and Funeral Music; concert arrangement): Full Orchestra, Conductor Score & Parts

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Gotterdammerung: Act III: Trauermusik beim Tode Siegfrieds (Siegfried's Death and Funeral Music; concert arrangement) Cover Image

Gotterdammerung: Act III: Trauermusik beim Tode Siegfrieds (Siegfried's Death and Funeral Music; concert arrangement): Full Orchestra, Conductor Score & Parts

By Richard Wagner, ed./arr. by Ludwig Stasny

Item: 36-A589402

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Description
The fourth and final opera of Richard Wagner's (1813-1883) DER RING DES NIBELUNGEN (THE RING OF THE NIBELUNG, or THE RING CYCLE for short), the three-act drama GÖTTERDÄMMERUNG (TWILIGHT OF THE GODS) premiered at the Bayreuth Festival on August 17th, 1876 with Hans Richter conducting the first performance of the entire cycle. "Siegfried's Death and Funeral Music" (Trauermusic beim Tode Siegfrieds) depicts the tragic end to the heroic life of Siegfried. Stabbed in the back after betraying the Valkyrie Brunnhilde under the influence of a potion, he recalls his love for her with his last breath. A solemn march (Trauermarsch), weaving the Siegfried motif into its strains, follows his funeral journey back to the Gibichung hall. The concert arrangement by Ludwig Stassny is here presented in this Kalmus edition. Instrumentation: 2 (2nd d.Picc).2.2.2: 4.2.3.1: Timp: Perc(3): Hp: Str (9.8.7.6.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659859394503
SKU: 36-A589402
Instrumentation: 2 (2nd d.Picc).2.2.2: 4.2.3.1: Timp: Perc(3): Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Richard Wagner

Richard Wagner (1813-1883) was a German composer who fundamentally transformed operatic form and orchestration in the nineteenth century. His massive four-opera cycle, Der Ring des Nibelungen, stands as one of music history's most ambitious creative undertakings, combining Norse mythology, leitmotif technique, and revolutionary harmonic language into a unified aesthetic vision. Wagner's influence on orchestral writing, harmonic progression, and the relationship between music and drama continues to shape how composers and conductors approach large-scale dramatic works.

Why we love this

This excerpt distills one of Wagner's most emotionally direct and musically powerful sequences into a form conductors can actually program. The funeral march moves with inexorable weight while the Siegfried motif provides melodic anchor, making it accessible to orchestras that may not be ready for full operatic cycles. It's a standard in the symphonic repertoire precisely because the music's tragic power needs no staging to land completely.

What to expect

A slow, relentless procession under gray skies, heavy with ceremony and grief. The orchestration wraps around itself in waves of sound; strings carry the emotional core while brass punctuates with stark, almost ceremonial gestures. There's nobility in the pacing, but also resignation, as if accepting fate rather than fighting it.

Who it's for

Orchestras seeking substantial concert repertoire with immediate dramatic impact and clear harmonic structure will find this excerpt both rewarding and manageable. It suits orchestras with mature string sections and competent brass, as the writing demands secure intonation and confident phrasing rather than virtuosic display.

How to get the most out of it

  • Establish the funeral march rhythm with absolute security in the lower strings and bass before rehearsing upper voices; this music demands relentless forward momentum without rushing.
  • Balance the statement of the Siegfried motif across the orchestra so it reads clearly without becoming sentimental; Wagner's orchestration naturally carries the line if sections listen to their neighbors.
  • Allow the brass to breathe expressively during the funeral procession passages, particularly the horns, which carry important harmonic color without drowning the texture.
  • Shape dynamic arcs across entire phrases rather than making sudden jumps; the tragedy here emerges from accumulated weight, not abrupt contrasts.

How to use it

This works superbly as the emotional centerpiece of a concert exploring Romantic orchestration or nineteenth-century dramatic music. It can anchor a program pairing lighter or more abstract symphonic works, providing ballast and gravitas. Consider programming it alongside other funeral marches or dramatic finales to create a thematic arc.

Skills your students will build

  • Reading Wagnerian orchestration and balancing multiple simultaneous melodic lines
  • Executing sustained, gradual dynamic shifts across long phrases
  • Ensemble coordination in slow, complex harmonic progressions without strict metric regularity
  • Communicating dramatic narrative through purely instrumental means

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