Goodnight, Sweetheart, Goodnight (Goodnight, It's Time to Go) (arr. Mel Knight): TTBB Choral Octavo
Goodnight, Sweetheart, Goodnight (Goodnight, It's Time to Go) (arr. Mel Knight) Sheet Music Preview

Goodnight, Sweetheart, Goodnight (Goodnight, It's Time to Go) (arr. Mel Knight): TTBB Choral Octavo

As performed by The McGuire Sisters / As performed by Tokens / Arranged by Mel Knight

Item: 35-DS00427438
Digital Download
$2.99
Description

Goodnight, Sweetheart, Goodnight (Goodnight, It's Time to Go) (arr. Mel Knight): TTBB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00427438

More about this title

About the Artist: The McGuire Sisters

The McGuire Sisters dominated popular music in the 1950s with their close harmonies, charm, and impeccable musicianship. Christine, Dorothy, and Phyllis McGuire became icons of the era, recording multiple hit records and performing regularly on television variety shows. Their vocal blend and sophisticated interpretation of standards made them influential models for choral singers and vocal arrangers.

Why we love this

Mel Knight's arrangement captures the warmth and nostalgia of this 1950s standard while giving singers genuine four-part writing that sits beautifully in barbershop harmony. The flexible voicing options (TB/TTB/TBB/TTBB) make it accessible across different choir configurations without compromising the arrangement's harmonic richness. Directors looking for an approachable classic that entertains audiences and teaches proper barbershop voice leading will find exactly what they need here.

What to expect

Warm, intimate, and gently nostalgic. The gentle rock-and-roll underpinnings of the original recording translate into a choral setting that feels both vintage and timeless, with the kind of close harmony that invites singers to blend their voices into something larger than themselves.

Who it's for

Choirs seeking accessible repertoire that connects to popular music history while building barbershop harmony skills. This works equally well for community choirs, school ensembles, and barbershop-focused groups looking for material that engages audiences.

How to get the most out of it

  • Balance the melody against the supporting voices; the lead line should sing through naturally without the lower voices overwhelming it.
  • Shape the phrase endings with a slight ritardando and softer dynamic to capture the lullaby quality inherent in the text.
  • Lock in the harmonic rhythm by having singers count through the sustained chords so tuning stabilizes across the full measure.

How to use it

Pair this with other 1950s vocal standards to build a program celebrating American popular song, or feature it on a pops concert where it will resonate with audiences familiar with the era. It also works beautifully as a closing or encore piece, especially in mixed settings where variety and charm matter more than dramatic contrast.

Skills your students will build

  • Barbershop harmony function (lead, tenor, baritone, bass voice leading)
  • Four-part close harmony tuning
  • Blended vowel production across multiple vocal lines
  • Flexible voicing adaptation (reading different voice part configurations)

You May Also Like