Goodbye to Summer Cover Image

Goodbye to Summer: Piano Solo Sheet

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Goodbye to Summer Cover Image

Goodbye to Summer: Piano Solo Sheet

By Mary K. Sallee

Level: Intermediate

Item: 00-47363

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Description
A lyrical melody in the right hand provides an excellent study in shaping phrases. Left-hand patterns include cross-overs and stretches within the hand. The beauty and character of the piece are further enhanced by crescendos, diminuendos, ritardandos, and changes in tempo.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Goodbye to Summer: Piano Solo Sheet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Signature Series
Publisher: Alfred Music
Page Count: 4
ISBN10: 1-4706-4112-7
ISBN13: 978-1-4706-4112-2
UPC: 038081545189
SKU: 00-47363

More about this title

About the Composer: Mary K. Sallee

Mary K. Sallee

Mary K. Sallee studied piano and voice at the University of Oklahoma, where she also earned a master's degree in piano performance and pedagogy. She spent a year as a Rotary Ambassadorial Scholar at the Hochschule fur Musik in Vienna, deepening her artistic foundation before returning to the United States.

Since 1986, Sallee has maintained a private piano studio in Norman, Oklahoma, with a particular focus on adult learners. Her work extends across multiple roles: adjudicator, clinician, festival director, and church musician. She has composed and published more than 60 works, many written directly for her students, and several have earned recognition on National Federation lists. Her contributions to music education and service within the Oklahoma Music Teachers Association and Music Teachers National Association underscore her commitment to the profession.

Why we love this

Sallee writes with genuine understanding of what intermediate pianists need to develop musically and technically. This piece balances lyrical beauty with practical pedagogical challenges—phrase shaping, hand independence, and expressive control—making it rewarding both to teach and to perform. The dynamic and tempo markings serve as a natural springboard for conversations about musical storytelling.

What to expect

A reflective farewell unfolding through graceful melody, as if reminiscing about sun-warmed days slipping away. The interplay between lyrical foreground and moving accompaniment creates intimacy, while shifts in tempo and dynamic subtle emotional nuance—contemplation mixed with acceptance.

Who it's for

Intermediate pianists ready to refine their control of phrasing and expressive techniques. This piece suits students who have developed basic hand independence and are eager to explore how dynamics and tempo shape musical meaning.

How to get the most out of it

  • Shape the right-hand melody by listening for the crest of each phrase; use subtle dynamic changes to guide the listener's ear toward those peaks rather than simply playing the written crescendos and diminuendos mechanically.
  • Practice left-hand crossovers and stretches separately and slowly to build comfort and confidence; mark fingering options in pencil so patterns become intuitive during performance.
  • Prepare ritardandos and tempo shifts by counting ahead; these moments often signal emotional turning points, so allow them breathing room without losing the underlying pulse.
  • Record yourself playing through to hear whether the lyrical quality in the melody comes through clearly; left-hand patterns should support but never overshadow the singing line.

How to use it

Program this as a bridge piece between seasons, especially in early fall recitals or end-of-summer studio showcases. Its four-page length and intermediate level make it ideal for students demonstrating growth in interpretive musicianship without requiring advanced virtuosity.

Skills your students will build

  • Phrase shaping through dynamic control and listening
  • Left-hand crossovers and hand stretches with independence
  • Executing ritardandos and tempo changes musically
  • Balancing melody and accompaniment in the same hand
  • Interpreting expressive markings (crescendos, diminuendos) as musical storytelling rather than technical directives

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