Goodbye Pork Pie Hat Cover Image

Goodbye Pork Pie Hat: Jazz Ensemble Conductor Score

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Goodbye Pork Pie Hat Cover Image

Goodbye Pork Pie Hat: Jazz Ensemble Conductor Score

By Charles Mingus / arr. Alan Baylock

Grade: 3.5 (Medium)

Item: 00-47031S

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Description
The sonic landscape of this tenor ballad on a classic Mingus tune is free and soulful. The solo tenor provides an introduction, followed by the lush ensemble with a suggested written tenor solo. Lead trumpet range is to written B-flat with optional parts to include flute and vibes. This superb chart belongs in every library.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081540399
SKU: 00-47031S

More about this title

About the Composer: Charles Mingus

Charles Mingus (1922-1979) was a bassist, composer, and bandleader who fundamentally reshaped jazz ensemble writing. His compositions moved beyond the standard swing vocabulary to include complex harmonies, unconventional structures, and compositional techniques borrowed from classical music. His prolific catalog and fearless approach to arranging established him as one of the most influential composers in jazz history.

In the classroom and rehearsal room, Mingus's music teaches ensemble discipline and musical conversation. His pieces demand careful listening, precise intonation, and the ability to balance written arrangements with improvisation. Goodbye Pork Pie Hat exemplifies his gift for writing melodically rich charts that honor both the soloist and the ensemble.

Why we love this

This chart captures the essence of a Mingus ballad while remaining accessible for mid-level ensembles. The optional instrumentation (flute and vibes alongside the core chart) lets you customize the sound to match your personnel, and the written tenor solo gives your soloists a structured framework without sacrificing the tune's soulful character. It's the kind of piece that sounds effortless when prepared well, but reveals its sophistication in rehearsal.

What to expect

Goodbye Pork Pie Hat unfolds with the quiet intensity of a late-night conversation. The solo tenor draws you in with its unhurried phrasing, and when the ensemble enters, the color deepens without losing intimacy. The piece breathes together, asking the ensemble to listen as carefully as they play, creating a ballad that feels both composed and spontaneous.

Who it's for

Jazz ensemble directors programming for contests, festivals, or concert performances will value this piece's balance of sophistication and playability. Your tenor saxophonist and lead trumpet player need to be secure and expressive, but this chart rewards musicians at the 3.5 level who commit to listening and intonation work.

How to get the most out of it

  • Balance the opening tenor solo so it projects clearly without overwhelming the ensemble entrance. The solo should feel intimate before the ensemble texture becomes lush.
  • Shape the ensemble phrases with attention to the underlying changes. Mingus's harmonies reward careful voice leading and dynamic control.
  • If you use the optional flute and vibes parts, rehearse them separately first to ensure they sit cleanly in the texture before adding them to the full sound.
  • Allow the rhythm section to breathe. Lock the tempo and harmonic foundation early, then let the melodic instruments respond to that stability.

How to use it

Program this as a concert centerpiece or festival showcase piece that demonstrates your ensemble's maturity and musicality. It pairs naturally with other mid-level jazz standards or contemporary jazz charts, and its 12-page length makes it ideal for a full program or a segment within a longer set. Consider pairing it with an uptempo chart to show the full range of your ensemble's capabilities.

Skills your students will build

  • Balancing solo and ensemble textures in jazz contexts
  • Reading and executing written changes with harmonic awareness
  • Sustaining tone and phrasing over longer melodic passages
  • Listening for intonation and blend in mid-range ensemble voicings
  • Interpreting jazz articulation and swing feel in a ballad setting

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