Goodbye California Cover Image

Goodbye California: 4 Saxophones SATBar Conductor Score & Parts

$20.95 USD
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Goodbye California Cover Image

Goodbye California: 4 Saxophones SATBar Conductor Score & Parts

By Bill Mays

Item: 01-ADV7680

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Description
"Goodbye California" has a straight-eighth feel and features a written jazz tenor solo with cadenza.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095076806
SKU: 01-ADV7680
Instrumentation: 4 Saxophones SATBar

More about this title

About the Composer: Bill Mays

Bill Mays is a composer and arranger whose work spans jazz, classical, and educational contexts. Known for his facility with harmonic language and his ability to write idiomatically for small ensembles, Mays has built a significant catalog of pieces performed in universities, jazz festivals, and professional venues across North America.

Why we love this

This piece captures the essence of straight-eighth jazz phrasing in a format that lets four saxophones shine without overwhelming complexity. The written tenor solo and cadenza give your lead player a genuine moment to stretch, while the SATBar voicing creates rich harmonic color that keeps everyone engaged throughout.

What to expect

The straight-eighth rhythmic foundation creates a propulsive, modern jazz sensibility that feels both relaxed and energetic. The written tenor solo and cadenza add a spotlight moment that's expressive and improvisatory in feel, even though every note is on the page.

Who it's for

Intermediate to advanced saxophone quartets with jazz experience and the ability to read a written solo with confidence. Directors looking for a substantial yet accessible piece that sounds professional and gives each player meaningful musical material.

How to get the most out of it

  • Lock the straight-eighth feel from the opening; the rhythm section (or rehearsal track, if used) should establish a relaxed, even swing pocket before the soloists enter.
  • Balance the tenor solo against the background parts so the cadenza sits forward without the full quartet getting buried during ensemble passages.
  • Work the articulation across all four voices to maintain the jazz aesthetic; crisp tonguing on eighth notes keeps the groove clean and propulsive.
  • Treat dynamics and accent patterns as conversation between voices; this isn't classical blend, it's jazz interplay.

How to use it

Place this in a jazz-focused concert or mixed recital where it can sit alongside other contemporary chamber works. It works equally well as a standalone feature or paired with contrasting quartet arrangements that highlight different moods or eras.

Skills your students will build

  • Reading and executing written jazz solos with swing feel
  • Maintaining a straight-eighth groove across multiple voices
  • Balancing solo and ensemble textures within a small group
  • Interpreting jazz articulation and phrasing conventions
  • Managing cadenza passages with rhythmic precision and musical intent

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