Good To Be Alive: Piano/Vocal/Chords Digital Sheet Music

Good To Be Alive: Piano/Vocal/Chords Digital Sheet Music

Stephen Flaherty

Item: 00-PS-0001436

Digital Download
$3.99
Description

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SKU: 00-PS-0001436

More about this title

Why we love this

Pop rock material at this level rarely balances accessibility with genuine musicality, and this piece delivers both. The chord chart format invites collaboration between pianist and vocalist while remaining approachable for developing players.

What to expect

The piece radiates optimism and forward momentum. The pop rock language feels immediate and relatable, built on straightforward harmonic progressions that still allow room for expressive interpretation from both singer and pianist.

Who it's for

Solo singers working with piano accompaniment in recital or performance class settings, and pianists developing skill with contemporary pop rock idioms. This works equally well for students preparing audition material or ensemble members adding a vocalist-piano collaboration to a concert.

How to get the most out of it

  • Lock the rhythm between vocal melody and piano accompaniment early; the groove depends on tight coordination rather than conductor-driven precision.
  • Experiment with dynamic contrast in the piano part to support the vocalist's phrasing without overpowering the vocal line.
  • Use the chord symbols to explore different rhythmic voicings in the piano; a simpler approach works if the vocalist needs more space to breathe.

How to use it

Feature this as a vocalist-piano collaboration on a spring or winter concert to showcase chamber-style contemporary music alongside classical repertoire. It also serves well as a jazz or contemporary music ensemble piece if you have rhythm section players comfortable with pop idioms.

Skills your students will build

  • Reading chord symbols and improvising piano accompaniment patterns
  • Balancing vocal melody with keyboard texture
  • Interpreting pop rock style with accuracy in rhythm and articulation
  • Coordinating between vocalist and accompanist without a conductor

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