Good Time: Marching Band Conductor Score & Parts
As performed by Owl City / Arranged by Paul Murtha
Grade: 2-3
Item: 35-PK00259266
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Good Time - Conductor Score (Full Score) | $8.00 | |
| Good Time - Flute/Piccolo | $6.00 | |
| Good Time - Bb Clarinet | $6.00 | |
| Good Time - Eb Alto Sax | $6.00 | |
| Good Time - Bb Tenor Sax | $6.00 | |
| Good Time - Eb Baritone Sax | $6.00 | |
| Good Time - 1st Bb Trumpet | $6.00 | |
| Good Time - 2nd Bb Trumpet | $6.00 | |
| Good Time - 3rd Bb Trumpet | $6.00 | |
| Good Time - F Horn | $6.00 | |
| Good Time - Bb Horn/Flugelhorn | $6.00 | |
| Good Time - Trombone | $6.00 | |
| Good Time - Baritone B.C. (Opt. Tbn. 2) | $6.00 | |
| Good Time - Baritone T.C. | $6.00 | |
| Good Time - Tuba | $6.00 | |
| Good Time - Electric Bass | $6.00 | |
| Good Time - Bells/Xylophone | $6.00 | |
| Good Time - Snare Drum | $6.00 | |
| Good Time - Cymbals | $6.00 | |
| Good Time - Quad Toms | $6.00 | |
| Good Time - Multiple Bass Drums | $6.00 | |
| Good Time - Aux Percussion | $6.00 |
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Description
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Additional Details
More about this title
About the Artist: Owl City
Owl City is the electronic music project of Joel Zimmerman, a Minneapolis-based producer and vocalist who emerged in the late 2000s with infectious synth-pop compositions. His breakout collaboration with Carly Rae Jepsen on "Good Time" became a defining pop anthem of the early 2010s, showcasing his gift for crafting earworm melodies paired with uplifting production. Zimmerman's work spans film soundtracks, solo albums, and feature collaborations, all marked by his distinctive approach to blending electronic elements with pop sensibility.
Why we love this
Paul Murtha's arrangement cuts straight to what makes this song contagious without demanding a massive instrumentation list. The scoring respects that marching bands come in all shapes and sizes, letting the tune's infectious optimism shine whether you're running a full complement or a leaner roster. Directors appreciate repertoire that earns student buy-in instantly while remaining musically legitimate.
What to expect
Bright, propulsive energy tempered with genuine musicality. The arrangement captures the original's effervescent charm while grounding it in textures that read authentically on the field, building momentum through stacked layers of melody and harmony rather than raw volume.
Who it's for
Marching bands with flexible instrumentation looking for modern repertoire with genuine pop credentials and teachable depth. Smaller ensembles benefit from Murtha's economic scoring without sacrifice of musical interest.
How to get the most out of it
- Keep the synth lines crisp and articulate. The electronic DNA of the original lives in those bright, punchy timbres, so avoid letting the brass bog down what should feel weightless.
- Balance the melodic layers across sections rather than treating the lead as the only voice that matters. The countermelodies and harmonic support drive the pop sensibility forward.
- Lock the tempo early and hold it steady. The chart's charm depends on that driving, consistent groove staying intact from first note to finale.
How to use it
Opening your show with a contemporary hit creates immediate connection with audiences and gives early-season rehearsals something tactile to grasp. This works equally well as a standalone feature or paired alongside other pop/rock arrangements that establish a modern programming direction.
Skills your students will build
- Balancing pop-influenced phrasing with marching band precision
- Executing tight articulation across synth and brass color changes
- Playing layered harmonic arrangements where every section carries melodic weight
- Maintaining groove-based rhythm in a marching context