Good Time Sheet Music Preview

Good Time: Marching Band Conductor Score & Parts

As performed by Owl City / Arranged by Paul Murtha

Grade: 2-3

Item: 35-PK00259266

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Description
Recorded by Owl City and Carly Rae Jepsen, this upbeat pop hit has already shown its staying power in today's music world. Smartly scored for smaller bands, this will sound great with limited rehearsals.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00259266

More about this title

About the Artist: Owl City

Owl City is the electronic music project of Joel Zimmerman, a Minneapolis-based producer and vocalist who emerged in the late 2000s with infectious synth-pop compositions. His breakout collaboration with Carly Rae Jepsen on "Good Time" became a defining pop anthem of the early 2010s, showcasing his gift for crafting earworm melodies paired with uplifting production. Zimmerman's work spans film soundtracks, solo albums, and feature collaborations, all marked by his distinctive approach to blending electronic elements with pop sensibility.

Why we love this

Paul Murtha's arrangement cuts straight to what makes this song contagious without demanding a massive instrumentation list. The scoring respects that marching bands come in all shapes and sizes, letting the tune's infectious optimism shine whether you're running a full complement or a leaner roster. Directors appreciate repertoire that earns student buy-in instantly while remaining musically legitimate.

What to expect

Bright, propulsive energy tempered with genuine musicality. The arrangement captures the original's effervescent charm while grounding it in textures that read authentically on the field, building momentum through stacked layers of melody and harmony rather than raw volume.

Who it's for

Marching bands with flexible instrumentation looking for modern repertoire with genuine pop credentials and teachable depth. Smaller ensembles benefit from Murtha's economic scoring without sacrifice of musical interest.

How to get the most out of it

  • Keep the synth lines crisp and articulate. The electronic DNA of the original lives in those bright, punchy timbres, so avoid letting the brass bog down what should feel weightless.
  • Balance the melodic layers across sections rather than treating the lead as the only voice that matters. The countermelodies and harmonic support drive the pop sensibility forward.
  • Lock the tempo early and hold it steady. The chart's charm depends on that driving, consistent groove staying intact from first note to finale.

How to use it

Opening your show with a contemporary hit creates immediate connection with audiences and gives early-season rehearsals something tactile to grasp. This works equally well as a standalone feature or paired alongside other pop/rock arrangements that establish a modern programming direction.

Skills your students will build

  • Balancing pop-influenced phrasing with marching band precision
  • Executing tight articulation across synth and brass color changes
  • Playing layered harmonic arrangements where every section carries melodic weight
  • Maintaining groove-based rhythm in a marching context

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