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Good Time: SATB Choral Octavo

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Good Time: SATB Choral Octavo

Words and music by Matthew Thiessen, Brian Lee, and Adam Young / arr. Andy Beck

Item: 00-39878

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Description
Fresh from the top ten of both the Billboard Hot 100 and Pop charts, this Owl City/Carly Rae Jepsen Platinum-certified hit is great for choreography. "We don't even have to try, it's always a good time!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081445397
SKU: 00-39878

More about this title

About the Composer: Matthew Thiessen

Matthew Thiessen is a songwriter and producer behind Owl City, the electronic music project that achieved mainstream success in the late 2000s and early 2010s. His work spans pop songwriting, production, and arrangement, demonstrating fluency across both studio and live contexts. In music education settings, Thiessen's catalog offers contemporary material that resonates with student singers and expands the range of accessible pop repertoire available for choral programs.

Why we love this

Andy Beck's arrangement captures the infectious energy and memorable hooks of the original without losing the song's innate joy and singability. The Platinum-certified hit guarantees student engagement and audience recognition, while the choreography-friendly structure makes this a natural choice for concert programming that demands visual excitement alongside strong vocal writing.

What to expect

Bright, optimistic, and propulsive. The arrangement captures the original's carefree exuberance, with moments of harmonic richness balanced against straightforward, singable vocal lines. It radiates the kind of feel-good momentum that energizes a concert and leaves audiences smiling.

Who it's for

Choirs seeking contemporary, high-energy repertoire that connects with student singers and general audiences. This arrangement works for middle school through adult ensembles looking to program recognizable pop material with strong ensemble appeal and built-in choreography potential.

How to get the most out of it

  • Lock in the rhythmic precision early. The piece thrives on crisp articulation and synchronized rhythmic attacks, so drill the ensemble sections where all four voices move together.
  • Balance the melody line across voices. The catchy hook moves between parts, so ensure sopranos, altos, tenors, and basses all step forward confidently when carrying the main idea.
  • Layer the choreography intentionally. The song's groove invites movement, but keep steps clean and uncluttered so the vocal blend remains the focus during performance.
  • Use the recorded accompaniment to establish groove and tempo stability, especially during early rehearsals when students are still learning their parts.

How to use it

Program this as a closer or encore that shifts the concert tone toward celebration and movement. Its infectious groove and recognizable melody make it ideal for pops concerts, spring shows, or any program needing a joyful contemporary finale that showcases ensemble unity and student investment.

Skills your students will build

  • Rhythmic precision in pop grooves and syncopated figures
  • Melodic transfer across voice parts while maintaining harmonic balance
  • Integration of choreography with secure vocal technique
  • Blend and balance in SATB textures with prominent upper voices

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