Good News! Chariot's A-Comin' Sheet Music Preview

Good News! Chariot's A-Comin': 2-Part Choral Octavo

Traditional Spiritual / arr. Greg Gilpin

Item: 00-PO-0003319

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Minimum order quantity: 20 copies

Description
An energetic and accessible arrangement of a great African-American spiritual! A swingin' tempo and gospel chords kick-start the joy, and handclaps in the final refrain take us over the top.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0003319

More about this title

About the Arranger: Greg Gilpin

Greg Gilpin

Greg Gilpin is an ASCAP award-winning choral composer and arranger whose conducting has been heard at major venues across North America and internationally, from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall in London. He serves as Director of Educational Choral Publications for Shawnee Press and has built a reputation for writing accessible, energetic arrangements that engage singers and audiences alike.

Why we love this

Gilpin captures the infectious joy of this spiritual without sacrificing musical substance. The gospel harmonies and handclap finale transform what could be a straightforward arrangement into a moment of genuine celebration, and the 2-part voicing means it works equally well for developing singers and experienced ensembles.

What to expect

Buoyant and celebratory from the opening downbeat, with a swagger that comes from the gospel chord vocabulary and swing rhythm. The piece builds toward the handclap finale, which feels less like a gimmick and more like a natural expression of the joy the text announces.

Who it's for

Middle school through adult choirs seeking a joyful spiritual that sounds polished while remaining technically accessible. The 2-part voicing accommodates smaller ensembles or mixed-age groups while maintaining the energy and gospel character that makes this spiritual endure.

How to get the most out of it

  • Lock the swing feel early in rehearsal by having singers tap the backbeat during sightreading; this rhythmic foundation carries through the energetic sections.
  • Bring out the gospel chord colors by asking singers to listen for the chromatic movement in the harmony parts, especially in phrases where the arrangement shifts direction.
  • Build the handclap moment as a genuine climax by starting rehearsals with that section fully realized (even if claps are new to your singers) so the final refrain lands with authentic excitement rather than feeling tacked on.
  • Record a run-through without the recorded accompaniment to identify spots where the two parts need tighter rhythmic cohesion before adding back the full arrangement.

How to use it

Program this as an opener or closer on a spirituals-focused concert, or use it to add brightness to a mixed sacred program. It pairs well with slower spirituals and works equally effectively as a standalone moment or as part of a longer thematic set.

Skills your students will build

  • singing in swing rhythm and gospel style
  • reading and balancing 2-part harmony with chromatic movement
  • ensemble cohesion in rhythmically driven contexts
  • interpretation of African-American spiritual tradition

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