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Good News!: String Orchestra Conductor Score & Parts

$50.00 USD
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Good News! Cover Image

Good News!: String Orchestra Conductor Score & Parts

Arranged by Carrie Lane Gruselle

Grade: 3

Item: 98-ST6397

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Description
The African-American spiritual Aint-a That Good News! exuberantly expresses joy and hope. Set as a slow swing, plenty of articulations help students achieve the proper style. Basses and cellos experience the walking bass lines and all students will stretch their right hand bowing skills while discovering a number of chromatics in the left hand.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444365328
SKU: 98-ST6397

More about this title

About the Arranger: Carrie Lane Gruselle

Carrie Lane Gruselle

Carrie Lane Gruselle earned her Bachelor of Music Education from the University of Wisconsin–Eau Claire and her Master of Music Education from the University of Wisconsin–Stevens Point, where she focused on Suzuki pedagogy. She has taught elementary and middle level strings in the Appleton Area School District and serves as cello instructor for the Lawrence University Arts Academy in Appleton, Wisconsin.

Why we love this

Gruselle's arrangement captures the spiritual's infectious energy while respecting its cultural significance, and the swing setting gives students a genuine reason to care about articulation and rhythmic precision. The walking bass line and chromatic passages ensure all sections stay engaged and challenged at Grade 3.

What to expect

Buoyant and hopeful, with a relaxed swing feel that invites students to listen and respond to one another. The piece moves with the easy confidence of a spiritual that has endured because it says something that matters.

Who it's for

Grade 3 string orchestras ready to explore multicultural repertoire and dig into swing style articulation. Directors seeking music that teaches both technical skills and cultural awareness work equally well.

How to get the most out of it

  • Emphasize the articulations marked in the score to achieve authentic swing style; they're the key to unlocking the piece's joy and forward motion.
  • Have basses and cellos practice their walking bass lines separately before sectional rehearsals so they can lock the groove together.
  • Map out the chromatic passages in the violin parts during individual practice; spotting them ahead prevents hesitation during full rehearsals.
  • Shape the dynamics expressively rather than mechanically; this spiritual deserves singers' phrasing sensibilities from your string players.

How to use it

Pair this with other spirituals or African-American composers on a concert celebrating diverse musical voices, or program it mid-season when your orchestra has enough maturity to handle style-conscious playing. The Contest/Festival designation makes it an excellent choice for spring competitions.

Skills your students will build

  • Swing articulation and rhythmic precision
  • Walking bass line execution
  • Chromatic reading and intonation
  • Right hand bowing control and consistency
  • Stylistic ensemble listening and response
  • Cultural and historical context awareness

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