Good Lovin' (arr. Kirby Shaw) Sheet Music Preview

Good Lovin' (arr. Kirby Shaw): SATB Choral Octavo

As performed by The Young Rascals / Arranged by Kirby Shaw

Item: 35-DS00432543

Digital Download
$2.99
Description

Good Lovin' (arr. Kirby Shaw): SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00432543

More about this title

About the Artist: The Young Rascals

The Young Rascals emerged from the blue-eyed soul movement of the 1960s, bringing together white musicians who had genuine roots in R&B and soul traditions. Led by Felix Cavaliere and Eddie Brigati, the band crafted infectious, horn-driven pop hits that showcased their ability to blend soul sensibility with rock energy. Their catalog remains a teaching resource for understanding how rock bands incorporated soul elements and created durable pop arrangements.

Kirby Shaw's arrangement of their signature hit brings the song's infectious groove and call-and-response character into a choral setting that feels contemporary rather than dated. Shaw's work demonstrates how to honor the original's spirit while creating something genuinely singable for mixed voices.

Why we love this

Kirby Shaw has a gift for capturing the rhythmic pocket of a pop song without flattening it into generic choral arranging. This arrangement preserves the playfulness and vocal attitude that made the original a hit, giving singers the chance to perform something with swagger rather than reverence. Your students will recognize the song immediately, which means they can focus on the real work: nailing the groove, balancing parts that sit outside traditional SATB comfort zones, and delivering personality alongside precision.

What to expect

Upbeat, soulful, and playful. The song carries the DNA of 1960s R&B but arrives through a pop sensibility that makes it immediately accessible. Singing it should feel like you're in on a secret about what makes music actually fun.

Who it's for

Any choir wanting to program something that feels fresh without being trendy. This works equally well as a concert opener that energizes an audience or as a morale booster during rehearsal season. The 14-page arrangement suggests it has enough substance for a real performance, not just a fun filler.

How to get the most out of it

  • Keep the rhythm section (if using accompaniment) driving forward with light articulation; the song thrives on forward momentum rather than weight.
  • Treat the call-and-response sections as conversations, not recitations. Let the energy shift between the answering phrases.
  • Watch the blend in close harmony passages. Shaw's voicings sometimes place parts unusually close together, which requires acute listening from singers.

How to use it

Pair this with other soul-inflected pop arrangements to build a set that bridges generations and demonstrates the roots of contemporary music. It also works as a confidence builder earlier in your season, giving singers a win before tackling more challenging repertoire. The singability and familiarity make it ideal for pops concerts or any program where you want the audience smiling from the first measure.

Skills your students will build

  • Maintaining rhythmic integrity in syncopated figures across all four parts
  • Executing call-and-response sections with precision and attitude
  • Balancing close harmonies in non-traditional voicings
  • Sustaining groove and forward motion in uptempo pop arrangements

You May Also Like