Good Lovin' Sheet Music Preview

Good Lovin': SATB Choral Octavo

As performed by Rudy Clark / As performed by Art Resnick / As performed by Anne Raugh / Arranged by Deke Sharon

Item: 35-DS00308555

Digital Download
$2.99

One moment…

Description

Good Lovin': SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00308555

More about this title

About the Artist: Rudy Clark

Rudy Clark co-wrote "Good Lovin'" with Art Resnick in the early 1960s, crafting one of the era's most infectious pop standards. The song became a crossover hit, proving its appeal across genres and audiences. Clark's songwriting sensibility captured the energy of early rock and roll while maintaining the melodic hooks that make a song stick in people's heads for decades.

Why we love this

Deke Sharon's arrangement respects the song's infectious DNA while giving SATB choirs real musicality to sink their teeth into. The vocal writing sits naturally for all four parts, avoiding the common trap of burying lower voices under the melody. Audiences recognize the tune immediately, which means your singers can focus on blend, balance, and those satisfying harmonic moments that make a cappella singing shine.

What to expect

Effortless and grounded, like a song that's been living in people's ears since the 1960s and refuses to leave. The arrangement carries forward the original's straightforward joy and rhythmic punch while settling into the harmonic warmth that a cappella singing brings to pop material.

Who it's for

Any SATB choir wanting a contemporary standard that feels fresh and energetic without exhausting the ensemble. High school through community choirs will find the voicing accessible and the tune universally engaging.

How to get the most out of it

  • Lock the pulse in unison first. Sing the melody line together as a full choir to establish the tempo and pocket before adding harmonies.
  • Balance the inner voices by checking them against the bass line. Tenors and altos often overshadow the harmonic foundation when they're not listening carefully.
  • Shape the dynamic arc across entire phrases rather than pushing every stressed beat. This song lives in the groove, not in intensity.
  • Layer in the a cappella resonance gradually during rehearsal. Once singers trust the harmonic rhythm, the chord changes will ring naturally without excessive vowel modification.

How to use it

Pair this with other pop or rock standards to build a concert set that connects with general audiences. It works equally well as an opener to energize the room or as a palate cleanser between more classical selections.

Skills your students will build

  • Sustaining blend and balance across harmonic progressions
  • Feeling and maintaining groove without instrumental rhythm section
  • Managing blend of melody and supporting voices in familiar material
  • Shaping phrasing in a pop idiom for natural storytelling

You May Also Like