Good King Wenceslas Cover Image

Good King Wenceslas: Concert Band Conductor Score & Parts

$60.00 USD
Sale price  $60.00 USD Regular price 
Skip to product information
Good King Wenceslas Cover Image

Good King Wenceslas: Concert Band Conductor Score & Parts

By John Tatgenhorst

Grade: 3.5

Item: 36-10100565

$60.00
Shipped

One moment…

Description
Only the creative mind of John Tatgenhorst could turn this famous carol into a swinging powerhouse for the season. The innocent opening immediately begins transformation harmonically (passing from F concert to A-flat, and ultimately B-flat) until the only option left is to swing the roof off!

Good King Wenceslas: Concert Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Holiday Music for Band
Publisher: Keiser Productions, Inc.
UPC: 660355026096
SKU: 36-10100565
Instrumentation: Concert Band

More about this title

About the Composer: John Tatgenhorst

John Tatgenhorst

John Tatgenhorst began composing at five years old with piano and by twelve was already arranging percussion music, a passion that carried through his high school years into formal study. He earned degrees in music composition from Ohio State University and completed graduate work in conducting and composition at Northwestern and UCLA, supplementing his training with direct apprenticeships under accomplished film and television composers in Hollywood.

Why we love this

Tatgenhorst refuses to let a familiar melody sit still. This arrangement honors the carol's innocence in its opening measures, then methodically destabilizes it through harmonic shifts that push the piece toward something entirely new. By the time the swing feel arrives, the transformation feels earned rather than gimmicky, giving your band a genuine arrangement that respects both tradition and contemporary energy.

What to expect

The piece opens like a music box, almost naive in its simplicity. Then the ground shifts beneath it, moving through unexpected harmonic territory that keeps the ear engaged. By the final section, the swing feel arrives like a surprise party, and the innocence of the carol becomes the foundation for something celebratory and propulsive.

Who it's for

Concert bands at the intermediate level who can handle both lyrical ensemble playing and rhythmic precision. Directors looking for a holiday piece that teaches genuine arranging craft without oversimplifying a familiar song will find exactly what they need.

How to get the most out of it

  • Shape the opening phrases with restraint and clarity so the harmonic movement from F concert through A-flat to B-flat registers distinctly with your ensemble. The journey matters more than speed.
  • Establish a solid groove in the swing section by locking the rhythm section early in rehearsals. Once the drums and low brass anchor the feel, the rest of the band will follow naturally.
  • Mark the transition points in your score where the piece shifts character. This helps the band understand they're not just playing faster but entering a different musical space entirely.
  • Balance the melody against the surrounding harmonies during the harmonic shifts. The tune should lead, but younger players often drown it out if given thick chords without clear dynamic guidance.

How to use it

This works beautifully as a centerpiece in a holiday concert, especially when paired with more traditional arrangements of seasonal music. The transformation arc gives it enough substance to carry a full program segment while remaining accessible enough to engage younger student musicians and audiences alike.

Skills your students will build

  • Recognizing harmonic movement and chromatically shifting tonal centers
  • Executing rhythmic precision in swing feels and groove-based playing
  • Maintaining melodic clarity across changing accompaniment textures
  • Understanding how arrangement and compositional choices shape musical meaning
  • Blending ensemble sound across passages with varied orchestration

You May Also Like