Good King Wence-SALSA!: Concert Band Conductor Score & Parts
Arranged by Erik Morales
Grade: 3
Item: 98-DB1442
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About the Composer: Erik Morales

Erik Morales began composing while still in high school, arranging music for his band director's marching ensemble in 1985. That early work launched a prolific career spanning classical, jazz, and commercial idioms. He studied composition at Florida International University and earned his bachelor's degree from the University of Louisiana, Lafayette in 1989.
With over 150 published works across wind, orchestral, jazz, and chamber settings, Morales has built a reputation for balancing artistic integrity with pedagogical accessibility. His trumpet writing is particularly acclaimed; his trumpet ensembles have won first place at the National Trumpet Competitions, and his Concerto for Trumpet in C was premiered at the 2009 International Trumpet Guild conference. In 2016, he was inducted into the Louisiana Association for Jazz Education's Hall of Fame. Schools and organizations across the nation commission him regularly for custom works.
Why we love this
This arrangement proves that holiday pops don't require sacrificing musicality. Morales gives the salsa idiom real substance with authentic Latin harmonies and percussion writing that sounds idiomatic rather than decorative. The embedded solo opportunities and vocal moments create genuine ensemble engagement, making it feel like a concert event rather than seasonal filler.
What to expect
Warm, celebratory, and rhythmically alive. The salsa treatment transforms a familiar melody into something that makes audiences move; the orchestration sits somewhere between concert music and dance music, making it feel both sophisticated and joyful.
Who it's for
Concert bands at the intermediate level seeking holiday repertoire with genuine musical substance. Directors who want their holiday pops program to swing rather than plod, and ensembles ready to engage both rhythmically and harmonically with Latin styles.
How to get the most out of it
- Lock in the clave rhythm early in rehearsal. Latin grooves live or die on rhythmic precision, so establish the foundational pattern before layering melodic elements.
- Balance the Latin percussion with your wind section carefully. These colors are meant to enhance the melody, not compete with it, so adjust volumes accordingly through the arrangement.
- Work the flute solo as a feature moment. It deserves the same attention to phrasing and tone quality you'd give any concertante passage in your season.
How to use it
Position this as the anchor of a holiday concert's second half. It works beautifully after more traditional selections, giving the program a stylistic shift and energy boost. The combination of accessibility and musical substance makes it equally fitting for winter concerts aimed at general audiences or specialized pops programs.
Skills your students will build
- Reading and performing in salsa/Latin idioms
- Authentic Latin percussion techniques and ensemble integration
- Maintaining rhythmic precision within a groove-based framework
- Balancing melodic phrasing with underlying rhythmic patterns
- Managing dynamic contrast in a percussion-rich arrangement