Good Job (arr. Roger Emerson) Sheet Music Preview

Good Job (arr. Roger Emerson): SAB Choral Octavo

As performed by Alicia Keys / Arranged by Roger Emerson

Item: 35-DS00479335

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00479335

More about this title

About the Artist: Alicia Keys

Alicia Keys is a Grammy Award winning singer, songwriter, and pianist whose music spans R&B, hip hop, and pop. Her compositions often blend social consciousness with personal reflection, creating songs that resonate across generations and musical contexts. In the choral setting, her work provides contemporary material that connects with student singers who recognize and respect her artistry.

Why we love this

Roger Emerson's arrangement captures the warmth and accessibility of this feel-good anthem while keeping the voicing manageable for mixed choirs. The piece works equally well as a morale builder at rehearsal or as a polished concert closer that leaves audiences smiling. Students connect immediately to material they know, which means your ensemble can focus on blend, intonation, and interpretation rather than fighting unfamiliar melodic terrain.

What to expect

Uplifting and grounded at once, with a conversational melody that invites participation. The harmonic language is warm and accessible, creating a sense of encouragement that matches the song's affirming message.

Who it's for

Choirs seeking contemporary pop repertoire that feels authentic without requiring advanced vocal technique. This works for middle school through adult ensembles who want to program something their singers and audiences will recognize and enjoy.

How to get the most out of it

  • Keep the rhythm section locked and steady; this song thrives on groove rather than rubato. The pocket matters more than perfection.
  • Balance the inner voices carefully so the arrangement's harmonic colors emerge without drowning the melody. SAB voicings can muddy quickly if altos aren't singing with clarity.
  • Encourage singers to feel the text rather than just sing it. The title itself is affirmation, so let that optimism shape your dynamics and phrasing.
  • Use any recorded accompaniment as a reference for tempo and style, but don't become enslaved to it. Your ensemble's personality should shine through.

How to use it

Program this as a concert finale or as part of a set celebrating contemporary voices in music. It pairs well with other modern pop arrangements or with a mixed repertoire program where you want to close on an accessible, audience-friendly note that still showcases your singers' musicianship.

Skills your students will build

  • Singing contemporary pop idioms with stylistic awareness
  • Balancing three-part SAB voicing for harmonic blend
  • Maintaining rhythmic groove in a pop context
  • Interpreting text with intention and emotional authenticity

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