Good Grief: Choral Instrumental Pak
Arranged by Paul Langford
Item: 35-PK00372295
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Good Grief - Guitar 1: Choral Instrumental Pak | $7.00 | |
| Good Grief - Guitar 2: Choral Instrumental Pak | $7.00 | |
| Good Grief - Bass: Choral Instrumental Pak | $7.00 | |
| Good Grief - Synthesizer: Choral Instrumental Pak | $7.00 | |
| Good Grief - Drums: Choral Instrumental Pak | $7.00 |
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Description
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More about this title
About the Arranger: Paul Langford

Paul Langford has spent over three decades building a career that bridges classical training with contemporary music production. Based in Chicago after growing up in Hong Kong, he works as a composer, arranger, orchestrator, and conductor while maintaining Paul Langford Studios, a full-service recording facility where he produces and engineers projects for artists and media companies across multiple genres.
Why we love this
Langford captures the propulsive energy of the original without sacrificing ensemble blend or clarity. The rhythmic precision and modern pop sensibility make this feel current and exciting for singers, while the driving accompaniment gives students something genuinely satisfying to lock into.
What to expect
Driving and infectious. The arrangement maintains the restless urgency of Bastille's original while giving singers concrete rhythmic and melodic material to sink their teeth into. It's the kind of piece that builds momentum naturally and leaves an audience wanting more.
Who it's for
Choirs at the middle school, high school, or adult level who want current pop repertoire that feels authentic to the original sound. Groups seeking energetic concert material that connects with contemporary music will find this accessible without sacrificing musicality.
How to get the most out of it
- Nail the syncopated rhythmic figures in the vocal parts by isolating them separately from the melody. Have students tap the rhythm while singing 'la' before adding text.
- Balance the energy between your lead vocal line and the rhythmic ostinatos happening underneath. The accompaniment track models this dynamic, so reference it frequently in rehearsal.
- Attack the opening moments with intention. The first few bars set the tone for the track's momentum, so clean articulation and rhythmic confidence from measure one will establish the groove.
- Keep the tempo steady and don't let it drag during the softer moments. This arrangement thrives on forward motion even when the dynamic drops.
How to use it
Slot this into a spring or fall concert where you're mixing classics with modern hits, or use it as a closer if your ensemble responds to high-energy material. The pop-rock sound pairs well after something more traditional, offering a refreshing tonal shift that keeps audiences engaged.
Skills your students will build
- Navigating syncopated rhythmic patterns and maintaining ensemble lock
- Balancing layered vocal lines with active accompaniment
- Contemporary articulation and phrasing in a pop idiom
- Sustaining forward momentum and groove across dynamic changes