Good Enough (arr. Richard Salt): SATB Choral Octavo

Richard Salt's arrangement captures the anthem quality of the original while giving SATB voicing room to breathe. The pop sensibility remains front and center, making this a genuinely engaging choice for choirs seeking contemporary material that feels both current and singable. It's the kind of piece that excites singers because they recognize and respect the source material.

Conversational and grounded, with the unforced charm of a song that knows what it is. The arrangement feels like a natural fit for voices, neither overly complicated nor simplified; it maintains the original's casual confidence while embracing the warmth of choir sonority.

Choirs seeking contemporary pop arrangements that don't condescend to either the ensemble or the audience. This works for groups comfortable with accessible modern material and singers who respond well to repertoire they actually want to sing.

• Keep the rhythmic drive steady and conversational; this song lives in its groove, not in expressive rubato.
• Balance the parts carefully so the melody lands clearly regardless of which voice carries it; Salt's arrangement distributes the line in ways that require attentive blending.
• Treat the text with the directness it deserves; the wit in the lyrics works only if singers commit to clear diction and honest delivery.
• Reference the original recording to absorb the song's character, then make choices that reflect your choir's strengths rather than mimicking it exactly.

Pair this with other 1990s and 2000s pop arrangements for a concert that speaks directly to intergenerational audiences. It also works as a palate cleanser in programs built around classical repertoire, offering contemporary color without irony or self-consciousness.

• Rhythmic precision in contemporary pop idioms
• Clear text projection in conversational lyrics
• Part independence while maintaining blend and balance
• Stylistic confidence in non-classical genres