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Good 4 U: Marching Band Conductor Score

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Good 4 U: Marching Band Conductor Score

As Recorded by Olivia Rodrigo

Words and music by Hayley Williams, Josh Farro, Olivia Rodrigo, and Dan Nigro / arr. Brian Scott

Grade: 3

Item: 00-49631S

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Description
Olivia Rodrigo's recent number 1 pop-rock hit really shines in this great new arrangement of Good 4 You by Brian Scott. The chart has incredible power and drive, and is perfect for the stands, auxiliary features or pep band. (2:10)

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-5186-6
ISBN13: 978-1-4706-5186-2
UPC: 038081572765
SKU: 00-49631S

More about this title

About the Composer: HAYLEY WILLIAMS

Hayley Williams is the lead vocalist and primary songwriter for the rock band Paramore, a group that has defined alternative rock for over two decades. Beyond her work in the studio and on stage, Williams has become known for her songwriting contributions across multiple genres, collaborating with artists who span pop, rock, and experimental music.

Why we love this

Brian Scott captures the raw emotional intensity of "Good 4 U" while translating it brilliantly for marching ensemble, preserving the song's urgent energy without losing the vulnerability underneath. The arrangement gives your band immediate contemporary relevance on the field, and the driving rhythm section keeps the momentum relentless from start to finish.

What to expect

Angry, cathartic, and propulsive. The arrangement channels the song's confrontational energy with driving rhythms and a sharp melodic spine that cuts through the ensemble. Beneath the power lies genuine hurt, making this piece emotionally honest rather than just loud.

Who it's for

Marching bands at the Grade 3 level who want a contemporary hit that speaks to student performers without sacrificing musicianship. This works equally well for competitive corps, auxiliary-focused programs, and pep band contexts where connection to current music matters.

How to get the most out of it

  • Balance the melodic lines carefully during the verse sections; younger sections often bury the hook when they're excited about a popular song. Keep the top line singing while the rest of the ensemble supports rather than overwhelms.
  • Lock in the rhythmic groove with your auxiliary percussion and front ensemble first. This arrangement's power comes from unison of pulse, not volume alone.
  • Shape the dynamic arc intentionally through the 2:10 runtime. The song's emotional arc moves from hurt to defiance, so mark your crescendos where the anger genuinely peaks rather than filling every available moment at forte.

How to use it

Program this as a standalone feature or within a set of contemporary pop-rock arrangements that reflect your students' listening habits. The 2:10 length makes it ideal for pep band performances or halftime slots where you want impact without overextending attention. Consider pairing it with classical or jazz selections to show your ensemble's range.

Skills your students will build

  • Balancing melody and accompaniment in pop-rock textures
  • Maintaining rhythmic precision in syncopated ensemble writing
  • Shaping dynamic arcs that serve emotional storytelling
  • Reading modern pop-rock idioms and contemporary notation
  • Executing quick transitions and tempo changes with confidence

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