Gonna Sing About a Baby Cover Image

Gonna Sing About a Baby: 3-Part Mixed, <I>a cappella</I> Choral Octavo

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Gonna Sing About a Baby Cover Image

Gonna Sing About a Baby: 3-Part Mixed, a cappella Choral Octavo

Words and music by Greg Gilpin

Item: 00-48414

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Description
In the tradition of his highly regarded original spirituals, Greg Gilpin offers this all-new a cappella Christmas selection. Intuitive harmonies and just the right amount of repetition in the memorable chorus make the piece both readily learnable and easy to memorize. Call-and-response verses toss joyful syncopations between sections of the choir, and quickly changing dynamics enhance the style.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Gonna Sing About a Baby: 3-Part Mixed, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081552378
SKU: 00-48414

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings decades of experience as both a composer and conductor to his prolific output of choral music. His work has been performed at some of the world's most prestigious venues, including Carnegie Hall, Lincoln Center, Ryman Auditorium, the Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. As Director of Educational Choral Publications for Shawnee Press and an ASCAP award-winning composer, Gilpin has shaped the landscape of contemporary choral literature with arrangements and original works that balance accessibility with musical substance.

Beyond the concert hall, Gilpin has expanded into film scoring (earning Best Score recognition for the short film "Rosie's Rescue"), collaborative performance projects, and professional organizing through his business Maestro Organizing. He holds membership in ACDA, NAfME, SAG-AFTRA, and is a Life Loyal Member of Phi Mu Alpha Sinfonia.

Why we love this

Gilpin has mastered the art of writing spirituals that feel authentic and singable without sacrificing musical interest. The call-and-response structure and syncopated rhythms keep all three sections engaged, while the intuitive harmonies mean your choir can learn this quickly and still sound confident in performance. The dynamic shifts and memorable, repeatable chorus make this a standout choice for a Christmas concert that honors the spiritual tradition.

What to expect

The piece radiates joy through its syncopated rhythms and call-and-response energy, grounded in the warmth and sincerity of the spiritual tradition. Singing a cappella demands focus and presence from your choir, and Gilpin's intuitive harmonies reward that attention with rich, satisfying sonorities. The result is a performance that feels both celebratory and heartfelt, inviting the audience into the song's spiritual core.

Who it's for

This piece works beautifully for treble and mixed choirs at the middle school through adult level who are looking for an accessible yet musically rewarding Christmas selection. Singers appreciate the joyful, spiritual style and the clear part writing that allows each voice line to shine without overwhelming difficulty. Directors seeking repertoire that honors the choral tradition while remaining learnable in a typical rehearsal timeline will find this a natural fit.

How to get the most out of it

  • Bring out the syncopations in the call-and-response verses by establishing clear rhythmic precision in rehearsal; these moments define the piece's character and energy.
  • Shape the dynamics intentionally as marked. The shifting dynamics between sections reinforce the dialogue between voices and create forward momentum.
  • Anchor the a cappella sound by assigning one strong voice per part during early rehearsals, then gradually expand. Unaccompanied singing requires clarity of pitch and rhythmic confidence from the start.
  • Let the chorus breathe as a refrain that your choir can settle into after each verse. The repetition is intentional, designed so singers gain confidence with each iteration.

How to use it

Position this in the middle or closing section of a Christmas concert where its a cappella texture will stand out from accompanied pieces. It pairs well with both traditional carols and contemporary holiday selections, offering a spiritual perspective that deepens a holiday program's emotional range. The memorable chorus also makes it suitable for community sing-alongs or holiday performances where audience engagement is desired.

Skills your students will build

  • Call-and-response singing and section independence
  • A cappella intonation and blend without instrumental reference
  • Syncopated rhythm reading and execution
  • Dynamic shaping and interpretation in a spiritual idiom
  • Memorization through repetition of the chorus structure

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